| Beverley Stern - 1980 - 304 oldal
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| Joanna Woodall - 1997 - 308 oldal
...identified the formal means by which Gainsborough had demonstrated this gift in a particularly vivid way: The likeness of a portrait ... consists more in preserving...than in the most minute finishing of the features ... Gainsborough's portraits were often little more in regard to finishing or determining the form... | |
| Paul Hyland, Olga Gomez, Francesca Greensides - 2003 - 496 oldal
...together is either forgotten or neglected. The likeness of a portrait, as I have formerly observed, consists more in preserving the general effect of...finishing of the features, or any of the particular parts. Now Gainsborough's portraits were often little more, in regard to finishing, or determining the form... | |
| Lisa Gitelman, Geoffrey B. Pingree - 2003 - 316 oldal
...Joshua Reynolds explained in one of the Discourses he delivered as president of the Royal Academy, "consists more in preserving the general effect of...finishing of the features, or any of the particular parts."61 Portraitists were instructed to use their creative faculties of imagination and invention... | |
| Paul Hyland, Olga Gomez, Francesca Greensides - 2003 - 494 oldal
...together is either forgotten or neglected. The likeness o1 a portrait, as I have 1ormerlv observed, consists more in preserving, the general effect of...the countenance, than in the most minute finishing ol the features, or anv ol the particular parts. Now Gainsborough's portraits were often little more,... | |
| 1839 - 348 oldal
...together is either forgotten or neglected. The likeness of a portrait, as I have formerly observed, consists more in preserving the general effect of...finishing of the features, or any of the particular parts. Now Gainsborough's portraits were often little more, in regard tofinishing, or determining the form... | |
| Sir Joshua Reynolds - 1966 - 254 oldal
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