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" His gardens next your admiration call, On every side you look, behold the wall ! No pleasing intricacies intervene, No artful wildness to perplex the scene ; Grove nods at grove, each alley has a brother, And half the platform just reflects the other. "
Selected Poems: The Essay on Criticism ; The Moral Essays - 63. oldal
szerző: Alexander Pope - 1896 - 114 oldal
Teljes nézet - Információ erről a könyvről

Literature of Nature: An International Sourcebook

Patrick D. Murphy, Terry Gifford, Katsunori Yamazato - 1998 - 520 oldal
...behold the Wall! No pleasing Intricacies intervene, No artful wildness to perplex the scene; Grove nods at grove, each Alley has a brother. And half the platform just reflects the other. (P- 5921 The oxymoron "artful wildness" epitomizes the rhetoric by which the potential tensions between...
Korlátozott előnézet - Információ erről a könyvről

The Language of Landscape

Anne Whiston Spirn - 1998 - 342 oldal
...was planted. Alexander Pope satirized gardens in which such repetition is taken to an extreme: "Grove nods at Grove, each Alley has a Brother, / And half the Platform just reflects the Other."14 The pattern need not be, literally, parallel: at Naerum Garden Colony, the many freestanding...
Korlátozott előnézet - Információ erről a könyvről

The Oxford Illustrated History of Opera

Roger Parker - 2001 - 618 oldal
...ideal o| the earlier Kmxlue in which ias Alexander Pope put it of the old formal gardening3 'Grove nods at grove; each alley has a brother,/ And half the platform just reflects the other.' \ drama itself, which in its tirades and tragic soliloquies might provide hints as to effective ways...
Korlátozott előnézet - Információ erről a könyvről

Nothing Remains the Same: Rereading and Remembering

Wendy Lesser - 2003 - 253 oldal
...over-designed garden where No pleasing Intricacies intervene, No artful wildness to perplex the scene; Grove nods at grove, each Alley has a brother, And half the platform just reflects the other one can't help but hear this as literary self-criticism. The rows and rows of matching couplets in...
Korlátozott előnézet - Információ erről a könyvről

The Emergence of Modern Architecture: A Documentary History from 1000 to 1810

Alexander Tzonis - 2004 - 554 oldal
...brother. And half the platform just reflects the other. The suff'ring eye inverted Nature sees, 1301l Trees cut to Statues, Statues thick as trees, With...play'd, And there a Summer-house, that knows no shade; Here Amphitrite sails thro' myrtle bowers; There Gladiators fight, or die, in flow'rs; Un-water'd see...
Korlátozott előnézet - Információ erről a könyvről

The Emergence of Modern Architecture: A Documentary History from 1000 to 1810

Liane Lefaivre, Alexander Tzonis - 2004 - 562 oldal
...behold the Wall! No pleasing Intricacies intervene, No artful wildness to perplex the scene; Grove nods at grove, each Alley has a brother, And half...the other. The suffering eye inverted Nature sees, [301] Trees cut to Statues, Statues thick as trees, With here a Fountain, never to be play'd, And there...
Korlátozott előnézet - Információ erről a könyvről

Der Landschaftsgarten als Lebensmodell: zur Symbolik der "Gartenrevolution ...

Ana-Stanca Tabarasi - 2007 - 516 oldal
...behold the Wall! No pleasing Intricacies intervene, No artful wildness to perplex the scene; Grove nods at Grove, each Alley has a brother, And half the platform just reflects the other. 54 Pope wies zwar in einem späteren Vorwort zur Epistel jede Verbindung dieser Beschreibung zu einem...
Korlátozott előnézet - Információ erről a könyvről

Parks in Hertfordshire Since 1500

Hugh C. Prince - 2008 - 356 oldal
...never be forgot. Consult the Genius of the Place in all.6 Pope abhorred formal gardens, where Grove nods at grove, each Alley has a brother, And half the platform just reflects the other. The suff'ring eye inverted Nature sees, Trees cut to Statues, Statues thick as trees.7 The largest landowners...
Korlátozott előnézet - Információ erről a könyvről




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