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" Ay, now am I in Arden ; the more fool I : when I was at home, I was in a better place : but travellers must be content. "
Much ado about nothing. The marchant of Venice. Love's labour lost. As you ... - 318. oldal
szerző: William Shakespeare - 1747
Teljes nézet - Információ erről a könyvről

Comedies. Two gentlemen of Verona

William Shakespeare - 1847 - 760 oldal
...you, for, I think, you have no money in yonr purse. Ros. Well, this is the forest of Arden. Touch. ere, good mistress Mary ? Mar. In the wars ; and that may you be bold to say in your foolery. Clo. W must be content. 17 ACT II. ACT II. SCENE IV. Ros. Ay, be so, good Touchstone. — Look you ; who comes...

Graham's American Monthly Magazine of Literature, Art, and Fashion, 30-31. kötet

1847 - 876 oldal
...eyes : And clasped to his bosom, " My husband ! " she sighs. THE ISLETS OF THE GULF; OR, ROSE BUDD. Ay, now I am in Arden ; the more fool I: when I was at home I was in a better place j but Travelers must be content. As Yon Lira IT. BY THE AUTHOE OF "PILOT," ''KED KOVER," "TWO ADMIRALS,"...

Chambers's Edinburgh Journal

1847 - 854 oldal
...sensation was anything but pleasant, and I for one could have once more echoed Touchstone's opinion, ' Here I am in Arden, the more fool I ; when I was at home, I was in a better place." Late in the night we reached Champion, and having succeeded at last in obtaining comfortable rooms,...

The Plays of William Shakspeare: Merchant of Venice ; As you like it ; All's ...

William Shakespeare, Alexander Chalmers - 1847 - 536 oldal
...think, you have no money in your purse. Ros. Well, this is the forest of Arden. Touch. Ay, now am I in Arden : the more fool I ; when I was at home, I was in a better place ; but travellers must be content. Ros. Ay, be so, good Touchstone : — Look you who comes here ; a young man, and an...

The Dramatic Works and Poems, 1. kötet

William Shakespeare - 1847 - 578 oldal
...AS YOU LIKE IT. Лов. Well, this is the forest rf Arden. Touch. Ay, now am I in Arden : the moro fool I : when I was at home, I was in a better place ; but travellers must be content. Ros, Ay, be so, good Touchstone : — Look you, who comes höre ; a young man, and...

As You Like it: A Comedy in Five Acts, 9. kötet

William Shakespeare - 1848 - 74 oldal
...bear you ; for I think you have no money in your purse. Ros. Well, this is the forest of Arden. Touch. Ay, now I am in Arden: the more fool I; when I was at home, I was in a better place ; but travellers must be content. Ros. Ay, be so, good Touchstone. — Look you, who comes here : a young man and an...

Sharpe's London magazine, a journal of entertainment and ..., 7-8. kötet

Anna Maria Hall - 1848 - 574 oldal
...spirits by his gay jcats, teaching them fortitude by the example of his iwn cheerfulness. " Now am I in Arden : the more fool I ; when I was at home, I was in a better place ; but travellers must be content." Touchstone's companionable qualities render him a privileged person with his two...

Sketch of the life of Shakespeare. Tempest. Two Gentlemen of Verona. Merry ...

William Shakespeare - 1848 - 498 oldal
...think, you have no money in your purse. Ros. Well, this is the forest of Arden. Touch. Ay, now am I in Arden : the more fool I ; when I was at home, I was in a better pliw ; but travellers must be content. Ros. Ay, be so, good Touchstone : — Look you who comes here...

The Great Rift Valley: Being the Narrative of a Journey to Mount Kenya and ...

J. W. Gregory - 1968 - 496 oldal
...is no food in Njemps." CHAPTER VIII THE STAY AT NJEMPS AND EXCURSIONS AROUND BARINGO "Ay, now am I in Arden ; the more fool I ; when I was at home, I was in a better place : but travellers must be content." — As You Like It, ii. 4. NJEMPS is the district on the floor of the great Rift...
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A Life in a Wooden O: Memoirs of the Theatre

Ben Iden Payne - 1977 - 230 oldal
...drive the point home to the less attentive members of the audience Touchstone continues, "Ay, now am I in Arden, the more fool I. When I was at home, I was in a better place; but travelers must be content." This is an obvious example of how Shakespeare coped with what modern audiences...
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