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" Achilles' image stood his spear Grip'd in an armed hand; himself behind Was left unseen, save to the eye of mind: A hand, a foot, a face, a leg, a head, Stood for the whole to be imagined. "
Poems on Affairs of State from the Time of Oliver Cromwell to the Abdication ... - 189. oldal
1707
Teljes nézet - Információ erről a könyvről

Advances in Visual Semiotics: The Semiotic Web 1992-93

Thomas Albert Sebeok, Donna Jean Umiker-Sebeok - 1995 - 690 oldal
...for Achilles' image stood his spear, Griped in an armed hand; himself behind Was left unseen, save to the eye of mind: A hand, a foot, a face, a leg, a head Stood for the whole to be imagined. (Burto 1968: 141, 11. 1422-28) Shakespeare's description testifies to the synecdochic aspirations of...
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Strands Afar Remote: Israeli Perspectives on Shakespeare

Avraham Oz - 1998 - 324 oldal
...for Achilles' image stood his spear, Grip'd in an armed hand, himself behind Was left unseen, save to the eye of mind: A hand, a foot, a face, a leg, a head Stood for the whole to be imagined. (1.1422-28) The painting reveals its own mediating representational strategies, the tricks and distortions...
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The Narrative Poems

William Shakespeare - 1999 - 212 oldal
...for Achilles' image stood his spear Gripped in an armed hand; himself behind Was left unseen, save to the eye of mind: A hand, a foot, a face, a leg, a head, Stood for the whole to be imagined. 1429 And from the walls of strong-besieged Troy, 1430 When their brave hope, bold Hector, marched to...
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Coriolanus

William Shakespeare - 2000 - 320 oldal
...for Achilles' image stood his spear, Gripped in an armed hand, himself behind Was left unseen, save to the eye of mind: A hand, a foot, a face, a leg, a head Stood for the whole to be imagined. The Rape of Luere ce, 1422-8 As Achilles' spear, so Coriolanus's sword. Lucrece gazes at a tapestry...
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Homenaje a Jack White. Estudios de filología inglesa

2000 - 284 oldal
...image stood his spear, Grip'd in an armed hand, himself behind Was left unseen, save to the eye of the mind: A hand, a foot, a face, a leg, a head Stood for the whole to be imagined" (1422-28) The painting reveals its own mediating representational strategies, the tricks and distortions...
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On Shakespeare and Early Modern Literature: Essays

John Kerrigan - 2004 - 282 oldal
...Grip'd in an anned hand; himself, behind. Was left unteen, save to the eye of mind: A hand, a foor, a face, a leg, a head, Stood for the whole to be imagined. (14ta-8) Reading, Luctece finds a reflex of her grief in Hecuba and Priam, in Troilus and in Hector....
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Henry V

William Shakespeare - 2000 - 684 oldal
...in an Armed hand, himfelfe behind 1425 Was left vnfeene, faue to the eye of mind, A hand, a foote, a face, a leg, a head Stood for the whole to be imagined. 205 And from the wals of flrong belieged TROY, When their braue hope, bold HECTOR march 'd to field,...
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The Complete Sonnets and Poems

William Shakespeare - 2002 - 768 oldal
...well-known to stand by metonymy for his physical presence. See eg z Henrii Vl 1Contention1 5.1.100. A hand, a foot, a face, a leg, a head Stood for the whole to be imagined. And from the walls of strong-besieged Troy, When their brave hope, bold Hector, marched to field, 1430 Stood many Trojan...
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Shakespeare Survey, 31. kötet

Kenneth Muir - 2002 - 260 oldal
...for Achilles' image stood his spear Gripp'd in an armed hand ; himself behind Was left unseen, save to the eye of mind: A hand, a foot, a face, a leg, a head Stood for the whole to be imagined. (11. 1422-8) Even in translation, the parallel strikes me as sufficiently full and detailed to be an...
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Shakespeare and the History of Soliloquies

James E. Hirsh - 2003 - 474 oldal
...for Achilles' image stood his spear, Grip'd in an armed hand, himself behind Was left unseen, save to the eye of mind: A hand, a foot, a face, a leg, a head Stood for the whole to be imagined. (1422-28) The viewer does not exactly see Achilles even in his mind's eye but imagines on the basis...
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