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" The form is mechanic, when on any given material we impress a predetermined form, not necessarily arising out of the properties of the material; as when to a mass of wet clay we give whatever shape we wish it to retain when hardened. The organic form,... "
The Theory of Poetry in England: Its Development in Doctrines and Ideas from ... - x. oldal
szerző: Richard Pape Cowl - 1914 - 319 oldal
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The Modern Language Review, 18. kötet

John George Robertson, Charles Jasper Sisson - 1923 - 578 oldal
...barbare,...on croirait que cet ouvrage est le fruit de I'iinagination d'un sauvage ivre '), he proceeds : The organic form, on the other hand, is innate; it shapes, as it developes, itself from within, and the fulness of its development is one and the same with the perfection...

Poetry and Criticism

Edith Sitwell - 1926 - 50 oldal
...says: "The true ground of the mistake lies in confounding mechanical regularity with organic form. The form is mechanic, when on any given material we...the material} as when to a mass of wet clay we give it whatever shape we wish it to retain when hardened. The organic form, on the other hand, is innate...

Humanistic Studies, 3. kötet

University of Iowa - 1928 - 760 oldal
...essentially organic, a natural process, even as meter is a mechanical one. "The form," says Coleridge, "is mechanic, when on any given material we impress...material, — as when to a mass of wet clay we give what*See notes in RM Alden's Critical Essays of the Early Nineteenth Century, pages 133, 137. ever...

Literary Criticism: Pope to Croce

Gay Wilson Allen, Harry Hayden Clark - 1962 - 676 oldal
...before Semiramis." For an account of the attack, consult TR Lounsbury, Shakespeare and Voltaire (1902). mechanic, when on any given material we impress a...shapes, as it develops, itself from within, and the fullness of its development is one and the same with the perfection of its outward form. Such as the...
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Ministers of Reform: The Progressives' Achievement in American Civilization ...

Robert M. Crunden - 1984 - 324 oldal
...In an 1818 lecture on Shakespeare, Coleridge presented the new attitude. He stated that a form was mechanic "when on any given material we impress a...arising out of the properties of the material," as for example "when to a mass of wet clay, we give whatever shape we wish it to retain when hardened."...
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Native American Renaissance

Kenneth Lincoln - 1985 - 352 oldal
...Genial Criticism," is attributed with introducing the term "organic" into Western poetics, via Schlegel: "The organic form, on the other hand, is innate; it...shapes as it develops itself from within, and the fullness of its development is one and the same with the perfection of its outward form. Such is the...
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Approaches to Organic Form: Permutations in Science and Culture

F.R. Burwick - 1987 - 320 oldal
...rules], . . . lies in the confounding of mechanical regularity with organic form. The form is mechanical when on any given material we impress a pre-determined...necessarily arising out of the properties of the material. . . . The organic form, on the other hand, is innate; it shapes as it develops from within, and the...
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Man and Nature in the Philosophical Thought of Wang Fu-chih

Alison Harley Black - 1989 - 410 oldal
...creations. Coleridge explains the difference between "organic form" and "mechanical regularity" as follows: The form is mechanic, when on any given material we...not necessarily arising out of the properties of the material;—as when to a mass of wet clay we give whatever shape we wish it to retain when hardened....
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The Cambridge History of Literary Criticism: Volume 5, Romanticism

George Alexander Kennedy, Marshall Brown - 1989 - 532 oldal
...this concept assumed unprecedented significance in Romantic criticism. Coleridge contrasts form that is 'mechanic when on any given material we impress a predetermined form', with organic form that 'is innate, it shapes as it develops " Johann Gottfried Herder, 'Vom Erkennen...
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The Descent of the Imagination: Postromantic Culture in the Later Novels of ...

Kevin Z. Moore - 1993 - 344 oldal
...later on when a suitable word came to his attention. Upon the materiality of language, Hardy would impress a "predetermined form not necessarily arising out of the properties of the material" (Coleridge, Shakespearean Criticism, 1:198) in order to produce the perfect simulacrum of an organically...
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