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" Burn'd on the water ; the poop was beaten gold, Purple the sails, and so perfumed that The winds were love-sick with them, the oars were silver, Which to the tune of flutes kept stroke, and made The water which they beat to follow faster, As amorous of... "
The Plays of William Shakespeare: With the Corrections and Illustrations of ... - 243. oldal
szerző: William Shakespeare - 1809
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Cours de versions anglaises ou Recueil choisi d'anecdotes, traits ...

P. Sadler - 1841 - 362 oldal
...THE CYDNUS TO MEET MARK ANTONY. The barge she sat in, like a burnish'd throne Burnt on the water : the poop was beaten gold ; Purple the sails, and so...winds were love-sick with them : the oars were silver, AVhich to the tune of flutes kept stroke, and made (1) To pledge , engager. (2) To champion , d&fier,...

The plays and poems of Shakespeare, according to the improved ..., 12. kötet

William Shakespeare - 1842 - 354 oldal
...for her. Eno. I will tell you : The barge she sat in, like a burnish'd throne, Burn'd on the water : the poop was beaten gold ; Purple the sails, and so...did lie In her pavilion, (cloth of gold, of tissue) O'er-picturing that Venus, where we see The fancy outwork nature : on each side her. Stood pretty dimpled...

Shakespeare: For All Time

Stanley Wells - 2003 - 494 oldal
...much of North's phraseology remains in lines that nevertheless achieve complete poetic independence: The poop was beaten gold: Purple the sails, and so...As amorous of their strokes. For her own person. It beggared all description. She did lie In her pavilion - cloth of gold, of tissue O'er-picturing that...
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Shakespeare's Tragic Skepticism

Millicent Bell - 2002 - 316 oldal
...called Gloriana by the Elizabethans: The barge she sat in, like a burnished throne Burned on the water. The poop was beaten gold; Purple the sails, and so...As amorous of their strokes. For her own person, It beggared all description: she did lie In her pavilion — cloth of gold, of tissue — O'erpicturing...
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The Cambridge Introduction to Narrative

H. Porter Abbott - 2002 - 230 oldal
...Antony's first view of Cleopatra: The barge she sat in, like a burnished throne, Burned on the water. The poop was beaten gold, Purple the sails, and so...which they beat to follow faster, As amorous of their strokes.9 This is not what anyone would call detached, objective reporting. Enobarbus draws on a diverse...
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Shakespeare Survey, 6. kötet

Allardyce Nicoll - 2002 - 208 oldal
...people cold and to the famous description of Cleopatra's first meeting with Antony (n, ii, 197-201): Purple the sails, and so perfumed that The winds were...beat to follow faster, As amorous of their strokes and here, as in the Edward HI passage, there is a lavish use of gold and silver.13 There remain to...
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The art of acting: seni peran untuk teater, film dan TV

Eka D. Sitorus - 2002 - 280 oldal
...a burnish'd throne Burn'd on the water, the poop was beaten gold; Purple the sails; and so parfumed that The winds were love-sick with them; the oars...beat to follow faster, As amorous of their strokes. (Perahu yang ditumpanginya, seperti tahta terpoles Membara di atas air, dengan dek disepuh emas; Layarnya...
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The Cambridge Companion to Shakespearean Tragedy

Claire McEachern - 2002 - 310 oldal
...recital of Cleopatra's river journey: The barge she sat in, like a burnished throne Burned on the water. The poop was beaten gold; Purple the sails, and so...were silver, Which to the tune of flutes kept stroke (2.2.201-5) And yet as luscious as the sounds and pictures may be, even those images employed for their...
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Secrets of Acting Shakespeare: The Original Approach

Patrick Tucker - 2002 - 316 oldal
...rell you. The barge she sat in, like a burnished throne Burned on the warer. The poop was bearen gold1 Purple the sails, and so perfumed that The winds were...with them. The oars were silver. Which to the tune of flures kept stroke, and made The warer which they beat to follow fasrer, As amorous of theit strokes....
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Shakespeare Survey, 23. kötet

Kenneth Muir - 2002 - 216 oldal
...throne, / Burn'd on the water' (II, ii, 199-200). The text continues with an explicit reference to Venus: For her own person It beggar'd all description: she...did lie In her pavilion — cloth of gold, of tissue — O'er picturing that Venus where we see The fancy outwork nature. (lines 205-9) Plutarch, from whom...
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