Monarchy, Political Culture, and Drama in Seventeenth-Century Madrid: Theater of NegotiationRoutledge, 2016. ápr. 15. - 181 oldal In early modern Spain, theater reached the height of its popularity during the same decades in which Spanish monarchs were striving to consolidate their power. Jodi Campbell uses the dramatic production of seventeenth-century Madrid to understand how ordinary Spaniards perceived the political developments of this period. Through a study of thirty-three plays by four of the most popular playwrights of Madrid (Pedro Caldern de la Barca, Francisco de Rojas Zorrilla, Juan de Matos Fragoso, and Juan Bautista Diamante), Campbell analyzes portrayals of kingship during what is traditionally considered to be the age of absolutism and highlights the differences between the image of kingship cultivated by the monarchy and that presented on Spanish stages. A surprising number of plays performed and published in Madrid in the seventeenth century, Campbell shows, featured themes about kingship: debates over the qualities that make a good king, tests of a king's abilities, and stories about the conflicts that could arise between the personal interests of a king and the best interest of his subjects. Rather than supporting the absolutist and centralizing policies of the monarchy, popular theater is shown here to favor the idea of reciprocal obligations between subjects and monarch. This study contributes new evidence to the trend of recent scholarship that revises our views of early modern Spanish absolutism, arguing for the significance of the perspectives of ordinary people to the realm of politics. |
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... king and his subjects, the solutions they offered can reveal a great deal about the political awareness and expectations of the audience. This audience, in turn, was significant because it was far broader than that reached by any other ...
... king and his subjects, the solutions they offered can reveal a great deal about the political awareness and expectations of the audience. This audience, in turn, was significant because it was far broader than that reached by any other ...
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... king, absolutism also strove to enhance the king's ability to make laws, wage war, and impose taxes without the consent of his subjects. The basis of the relationship between ruler and subject, according to the ideals of absolutism ...
... king, absolutism also strove to enhance the king's ability to make laws, wage war, and impose taxes without the consent of his subjects. The basis of the relationship between ruler and subject, according to the ideals of absolutism ...
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... king, these regions frequently had different customs, languages, and representative institutions, along with strong ... king's theoretical ability to override the privileges of regions and social groups without any form of consent, but ...
... king, these regions frequently had different customs, languages, and representative institutions, along with strong ... king's theoretical ability to override the privileges of regions and social groups without any form of consent, but ...
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... Kings, p. 141. 23 Zagorin, Rebels and Rulers, vol. 1, p. 64. Melveena McKendrick, Playing the King: Lope de Vega and the Limits of Conformity (London, 2000), p. 4. The Spanish Golden Age has received much attention from literary ...
... Kings, p. 141. 23 Zagorin, Rebels and Rulers, vol. 1, p. 64. Melveena McKendrick, Playing the King: Lope de Vega and the Limits of Conformity (London, 2000), p. 4. The Spanish Golden Age has received much attention from literary ...
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... kings as presented in the comedia. If theater served as a means of promoting the status quo and maintaining the social hierarchy, it stands to reason that it would present a consistently positive picture of kings and their power ...
... kings as presented in the comedia. If theater served as a means of promoting the status quo and maintaining the social hierarchy, it stands to reason that it would present a consistently positive picture of kings and their power ...
Tartalomjegyzék
The World of the Stage | |
Competing Ideals of Kingship | |
Evaluations of the Practice of Kingship | |
The Curtain Falls | |
Más kiadások - Összes megtekintése
Monarchy, Political Culture, and Drama in Seventeenth-century Madrid ... Jodi Campbell Korlátozott előnézet - 2006 |
Monarchy, Political Culture, and Drama in Seventeenth-Century Madrid ... Jodi Campbell Korlátozott előnézet - 2016 |
Monarchy, Political Culture, and Drama in Seventeenth-Century Madrid ... Professor Jodi Campbell Korlátozott előnézet - 2013 |
Gyakori szavak és kifejezések
absolutist acting companies Alcaldes de Casa Alegio Alfonso Antonio argued arrendadores audience authority autor de comedias Barca Bautista Diamante behavior Casa y Corte characters Charles comedias nuevas contemporary corrales Council of Castile court crown culture Diego drama dramatists duke Early Modern Europe Enrique Federico Francisco García Golden Age honor ingenios de España interests Jornadas de teatro José Juan Bautista Diamante Junta justice kill king king’s kingdom kingship libro Lope de Vega Lope’s Madrid Maravall Mariana of Austria Matos Fragoso McKendrick monarchy Olivares palace passion Pedro Calderón performances Philip Philip IV plays playwrights plot political theory popular presented prince principal Príncipe public theaters published queen reign reputation Retiro Rojas Zorrilla royal ruler Sancho scholars Semíramis seventeenth century Siglo de Oro siglo XVII sixteenth social Spain Spaniards Spanish Spanish Golden Age stage story subjects theatrical themes theorists throne Tirso Tirso de Molina tyranny