The Subject of Tragedy (Routledge Revivals): Identity and Difference in Renaissance DramaRoutledge, 2014. jún. 17. - 270 oldal First published in 1985, The Subject of Tragedy takes the drama of the sixteenth and seventeenth centuries as the starting point for an analysis of the differential identities of man and woman. Catherine Belsey charts, in a range of fictional and non-fictional texts, the production in the Renaissance of a meaning for subjectivity that is identifiably modern. The subject of liberal humanism – self-determining, free origin of language, choice and action – is highlighted as the product of a specific period in which man was the subject to which woman was related. |
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... defines this episode, 'Two states of my life from me are now glided' (l.430). These 'states' of vice or virtue are mobile, interchangeable, defining only while they remain in place, able to be dislodged in response to pressures ...
... defines this episode, 'Two states of my life from me are now glided' (l.430). These 'states' of vice or virtue are mobile, interchangeable, defining only while they remain in place, able to be dislodged in response to pressures ...
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... defines the relationship between human beings and life in the world which constitutes the moral analysis of the play. The circle surrounded by water represents the earth on which Mankind is born and dies, the place in which he is ...
... defines the relationship between human beings and life in the world which constitutes the moral analysis of the play. The circle surrounded by water represents the earth on which Mankind is born and dies, the place in which he is ...
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... defining their disunity and at the same time provides a single and thus unified position from which that pattern is intelligible. The playhouse opened by Sir William Davenant in 1661 inaugurated the epoch of classic realism in the ...
... defining their disunity and at the same time provides a single and thus unified position from which that pattern is intelligible. The playhouse opened by Sir William Davenant in 1661 inaugurated the epoch of classic realism in the ...
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... defines the earth as a promontory beneath the canopy of the o'erhanging firmament, he is invoking the familiar metaphor of the world as a theatre, and identifying the apron stage itself and the roof which protected it, the 'heavens ...
... defines the earth as a promontory beneath the canopy of the o'erhanging firmament, he is invoking the familiar metaphor of the world as a theatre, and identifying the apron stage itself and the roof which protected it, the 'heavens ...
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Más kiadások - Összes megtekintése
The Subject of Tragedy (Routledge Revivals): Identity and Difference in ... Catherine Belsey Korlátozott előnézet - 2014 |
The Subject of Tragedy (Routledge Revivals): Identity and Difference in ... Catherine Belsey Nincs elérhető előnézet - 2015 |
Gyakori szavak és kifejezések
absolutism absolutist Alice’s Antony Antony and Cleopatra Arden Arden of Faversham audience authority autonomy become Bracciano Caesar Castle of Perseverance Cleopatra commonwealth conflict death defined Devil difference discourse divorce Dod and Cleaver drama Duchess of Malfi effect emblematic empirical knowledge enforced marriage Everyman evidence evil father Faustus fiction freedom God’s Griselda guarantee Hamlet heaven hell hero Hieronimo humanist husband ibid identify implies instance Jaffeir John Julius Caesar justice King liberal humanism liberal-humanist London Mankind Mariam marriage marry meaning Methuen monarch moral murder narrative nature obedience offers patriarchal play political position present Renaissance revenge romantic love Sejanus sense seventeenth century sexual signifying practice sixteenth social body soliloquy sovereign sovereignty Spanish Tragedy speak spectator speech stage struggle subject of liberal thou Tragedy Tragedy of Mariam tyranny unified Vice virtue Vittoria W. W. Greg wife William Shakespeare woman women worldly