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BOOSEY & SONS' LIST OF POPULAR PIANO

FORTE and DANCE MUSIC, by the most celebrated Composers.

N.B. The Dance Music is all illustrated in Colours by BRANDARD and PACKER.

BRINLEY RICHARDS.

'Twas He my only Thought, from Bianca.
Gold Rules the World, from Bianca.

What Sunshine Bright, from Bianca.

The Marriage of Georgette.
The Skipper and his Boy.
Come into the Garden Maud.

Santa Maria, from Dinorah.

The Shadow Air, from Dinorah.
The Power of Love, from Satanella.
Thou art so Near, (Reichardt).

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The above duets are of a pleasing and popular character, and are adapted for moderately advanced performers.

London: Ashdown and Parry, 18, Hanover Square.

ORGANIST.-An ORGANIST is required for the Parish

Church of St. George the Martyr, Queen Square, Middlesex. Salary, £40 per annum. The duties to be performed will extend to three services on Sundays and on the Feasts and Holy Days, when there is service in the church, and to the instruction of the Choir and School Children. Testimonials to be sent to Mr. Church (Clerk to the Trustees of the said parish), at 9 Bedford Row, W. C., on or before Thursday, the 27th December, 1860.

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A COLLECTION

HARMONIA PSA DIVINAIN TUNES, ACTION Songf

Edited and arranged for one voice, with an accompaniment for the pianoforte, by J. T. STONE. In three volumes, price 7s. 6d. each. This work is beautifully printed from engraved plates, and elegantly bound. A fourth volume is on the press, and the complete work-4 vols. in I-superbly bound in crimson cloth, price £1 1s., will be published early in 1861. Brewer and Co., 23 Bishopsgate Street Within.

ETTS' APPOINTMENT DIARY, price 2s. 6d. in fessors and Teachers of Music to regulate their engagements exactly. This book originated with one of the greatest Vocalists of the day. Sold by all Booksellers. Descriptive catalogue, gratis.

Letts, Son & Co., Publishers, 8 Royal Exchange.

Selection from Satanella, ditto.

Selection from Dinorah, ditto.

Selection from Martha, ditto.

MADAME OURY.

Bianca Fantaisie Brillante.
Santa Lucia.

Auld Robin Gray.

Souvenirs d'Ecosse.

Fantaisie on Jacobite Airs.

BENEDICT.

Albion, Fantaisie on English Airs. Erin, Fantaisie on Irish Airs. Caledonia, Fantaisie on Scotch Airs.

TALEXY.

Satanella Polka Mazurka.
Dinorah Polka Mazurka.
Eva Polka Mazurka.

NORDMANN.

Evening with Meyerbeer.

Evening with Balfe.

Evening with Christy's Minstrels.

LAURENT.

Bianca Waltz, Illustrated.

Bianca Quadrille, ditto.

Bianca Polka, ditto.

Bianca Galop, ditto.

Spring Buds Waltz, ditto.

Margaretta Waltz, ditto.

Daisy Waltz, ditto.

Christmas Waits Quadrille, ditto.

Lord Lovel's Waltz, ditto.

Beloved Star Waltz, on Thou art so near.

BURCKHARDT.

New Year's Quadrille, Illustrated.
Ramsgate Sands Quadrille, ditto.
Serpentine Quadrille, ditto.
Bal Masque Quadrille, ditto.
Knickerbocker's Polka, ditto.;
Dream of the Rose Waltz.

MARRIOTT.
Colleen Bawn Waltz, Illustrated.
Woman in White. Waltz, ditto.
Don Pasquale Waltz.
Waterfall Galop.

BALFE'S NEW OPERA,

BIANCA,

THE BRAVO'S BRIDE,

AS PERFORMED WITH IMMENSE SUCCESS AT THE ROYAL ENGLISH OPERA.

"An unquestionable success."-Times.

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"It is clever, gay, full of motion, and, above all, full of melody.""It contains melodies not only beautiful, but strikingly original." Athenæum. -Daily News.

"This last work is beyond comparison Mr. Balfe's best."-Daily Telegraph.

"Bianca is the most perfect and beautiful of all Balfe's operas."News of the World. S

VOCAL MUSIC.

'TWAS HE MY ONLY THOUGHT. Ballad. Sung by MISS LOUISA PYNE
"In vain I strove"

YES, I SHALL SEE HIM ONCE AGAIN (Song) with Cabaletta
AS TORRENT ROAMING O'ER THE HEIGHT

Sung by Miss LOUISA PYNE

WHAT SUNSHINE BRIGHT. Rondo Finale. Sung by MISS LOUISA PYNE
MY CHILDHOOD'S DAYS. Sung by MISS LOUISA PYNE.

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ONE, TWO, THREE. Song from the Minuet Scene. Sung by MISS THIRLWALL

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FROM MY CHILDHOOD DIDST THOU PRAY. Duettino. Sung by Miss LOUISA PYNE and MR.

ALBERTO LAWRENCE

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ALTHOUGH WITH COLD DISDAIN. Duet. Sung by MISS LOUISA PYNE and MR. WHARTON
GLORIOUS WINE. Drinking Song. Sung by MR. W. HARRISON

WHAR

GLORIOUS WINE. Drinking Song (with Chorus). Sung by MR. W. HARRISON
ONCE MORE UPON THE PATH OF LIFE. Ballad. Sung by MR. W. HARRISON

"TIS NOT PURPLE AND GOLD THAT ENNOBLE THE MAN. Sung by MR. W. HARRISON
GOLD RULES THE WORLD. Song. Sung by MR. WHARTON
OH! CROWN OF POWER. Song. Sung by MR. ALBERTO LAWRENCE.

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The Overture, arranged as a Duet by the Composer. 6 0 Berger's (E.) Fantaisie de Salon
The Favourite Airs, arranged by NORDMANN as Solos
and Duets, Three Books
Brinley Richards' "'Twas He my only Thought"
Brinley Richards' "Gold Rules the World
Brinley Richards' "What Sunshine Bright"
Kuhe's Fantaisie Brillante

Jules Brissac's Fantaisie on Bianca.
Laurent's Bianca Quadrille. Illustrated by Brandard
Laurent's Bianca Valse. Illustrated by Brandard

s. d.

30

3 0

each 5s. & 6 0

4 0

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Laurent's Bianca Polka.
Laurent's Bianca Galop.

Illustrated in Colours

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Nordmann's Four Favourite Melodies (Arranged for
Beginners on the Pianoforte)

Numerous Arrangements for Pianoforte and other Instruments are in hand, and will be published immediately.

BOOSEY AND SONS, HOLLES STREET, LONDON.

Printed by GEORGE ANDREW SPOTTISWOODE, of No. 10 Little New Street, in the Parish of St. Bride, in the City of London, at No. 5 New-street Square, in the said Parish.' Published by JOHN BOOSEY, at the Office of BoOOSEY & SONS, 28 Holles Street.-Saturday, December 22, 1860,

"THE WORTH OF ART APPEARS MOST EMINENT IN MUSIC, SINCE IT REQUIRES NO MATERIAL, NO SUBJECT-MATTER, WHOSE EFFECT MUST BE DEDUCTED: IT IS WHOLLY FORM AND POWER, AND IT RAISES AND ENNOBLES WHATEVER IT EXPRESSES" - Göthe

SUBSCRIPTION-Stamped for Postage-20s. PER ANNUM

Payable in advance by Cash or Post-Office Order to BOOSEY & SONS, 28 Holles Street, Cavendish Square, London, W.

VOL. 38-No. 52

V.

SATURDAY, DECEMBER 29, 1860

R.

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THE FIRST ORCHESTRA,

Consisting of 30, 40, or 50 Performers, is conducted by Dr. Mark, and composed of the Advanced Pupils of the Royal College of Music, and some of the "Little Men," who perform Sacred, Classical, Operatic, and Popular Music. Also a Vocalist, Solo Harpist, Solo Pianist, and Organist-or

THE SECOND ORCHESTRA, Conducted by Mr. Wrigley, which consists of 30 Performers, and is composed of the Little Men," who play Operatic and Popular Music, and sing favourite Airs and Choruses. Also a Vocalist, and Solo Instrumentalists.

Dr. MARK begs to inform young ladies and gentlemen who are preparing for the profession that he affords opportunities of introducing them to the public by performing at his concerts.

Orphans of the musical profession, and poor children possessing musical talent, are admitted free, and receive a general and musical education, together with board, lodging, and clothing, until the age of fourteen years, when they are either apprenticed to a trade or trained for the profession.

Little Boys, from five to nine years of age, apprenticed for three, five, or seven years by paying a moderate entrance fee to cover the expenses of instrument and books.

For Prospectuses, apply direct to the Royal College of Music, Manchester. Visitors are admitted from Nine to Eleven, a.m., and Two to Four, p.m. every day, Saturdays and Sundays excepted.

52

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ISS HELEN HOGARTH (Teacher of Singing) begs

the season, and has removed from Weymouth Street to No. 71 Great Russell Street, Bloomsbury Square.

SIGNOR and MAD. FERRARI beg to inform their

pupils and friends they have REMOVED to 32 Gloucester Terrace, Hyde Park, W.

FLUTE, GUITAR, and CONCERTINA.-LESSONS

by Mr. and Mad. R. SIDNEY PRATTEN, at 24 Holles Street, Cavendish Square, W., where may be had the whole of their publications for the above instruments, consisting of nearly 300 Pieces, vocal and instrumental.

DR. MARK

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BAND OF FORTY BOYS.

First Visit to London-For One Week Only.

St. James's Great Hall, Regent Street and Piccadilly. Mr. MITCHELL begs to announce that he has entered into an Engagement with Dr. Mark, of the Royal College of Music, Manchester, for the First Appearance in London of his BAND of LITTLE MEN, 40 in number, selected from the students of the College, an institution originated by Dr. Mark, for the purpose of affording an efficient musical and general education to boys in the poorer or middle classes of society throughout the kingdom. Notwithstanding the great success which has attended the concerts given by Dr. Mark and his Little Men throughout Scotland, Ireland, and the provinces, they have never yet appeared in London, and the present engagement is limited to one week only.

The FIRST CONCERT will take place on SATURDAY EVENING, Jan. 12, 1861, at 8 o'clock; Second Concert, on Monday afternoon, Jan. 14, commencing at half-past 2, to terminate about 4 o'clock. The subsequent Concerts will be given on Tuesday, Wednesday, Thursday, Friday, and Saturday Evenings, Jan. 15, 16, 17, 18, and 19; and on Thursday and Saturday afternoons, Jan. 17 and 19.

Sofa stalls (a few numbered and reserved near orchestra), 5s.; reserved seats, 3s. ; area, 2s.; back seats and galleries, 1s., which may be obtained at the principal libraries and musicsellers; and at Mr. Mitchell's Royal Library, 33 Old Bond Street, W., Programmes and full particulars will be duly announced.

BUCKLEYS' SERENADERS. CHRISTMAS HOLI

DAYS.-St. James's Hall, Piccadilly.-Crowded houses every performance. Every evening at 8, and Two Day Performances on Wednesday and Saturday afternoons at 3. Tickets may be secured at Austin's Ticket Office, 28 Piccadilly, from 10 till 5. Stalls, 3s.; area, 2s.; gallery, 1s. No bonnets are allowed in the Stalls. Books of the Words, 6d. each. Change of Programme, including Operatic Selections from Lucrezia Borgia, Trovatore and La Sonnambula.

"The most unique and varied entertainment in London."

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GL

MADRIGALS, and

OLD

BALLADS,

Egyptian Hall.-Mr. MITCHELL begs respectfully to announce that the popular and eminently successful performances of Glees, Madrigals, and Old Ballads by the LONDON GLEE and MADRIGAL UNION, Miss J. Wells and Miss Eyles, Mr. Baxter, Mr. Cumming, Mr. Lawler, and Mr. Land (Conductor) interspersed with Literary Illustrations by T. Oliphant, Esq., will be resumed for One Month Only, commencing on Monday, January 7.-Royal Library, 33 Old Broad Street, W.

EVANS' COTTAGE HARMONIUM at 61. 6s., in a

French Polished Pine Case, has the full compass Five Octaves, and a soft, subdued agreeable quality of tone-designed expressly for a cottage or small sitting Boosey & Sons, Manufacturers, 24, Holles Street, London.

room.

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"Mr. Harvey's compositions are marked by a decided originality of character. A delightful flow of thoughtful melody pervades all his works. Mr. Harvey, as a writer of music for drawing-room performance, is justly becoming one of the most popular of the day."--Globe.

THE LAST ROSE OF SUMMER," as a Piano Duet,

arranged with variations by Mrs. Mounsey Bartholomew, is just published, price 3s., by Duncan Davison & Co., 244 Regent Street, W.

N.B. The above piece will be found suitable for pupils, moderately advanced. Mrs. Mounsey Bartholomew's acknowledged experience in tuition is a guarantee of the excellence of the above arrangement for that purpose.

NEW SONG"That
EW SONG-" That Handsome Volunteer," sung by

Woman," composed especially for her by Emile Berger, is published, price 2s. 6d., by Duncan Davison & Co., 244 Regent Street, W. (Sung also with distinguished success, and invariably encored, by Miss Catharine Lucette, in her original entertainment, (with Captain Mortou Price) at the Prince of Wales's Hall, Regent Street.)

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GOOD NIGHT," (Cradle Song-Wiegenlied) com

posed by ALEXANDER REICHARDT, price 2s. 6d. London: published by Duncan Davison & Co., 244 Regent Street, W.

The day, pretty darling, draws near to its close,
Come, cease from your play, on your pillow repose,
You peep from the cradle still laughing and bright,
Kind angels for ever preserve you, good night.
With freedom from sorrow, dear child, you are blest,
To you a pure heaven is your fond mother's breast;
Wild passion some day will your happiness blight,
Kind angels preserve you, my darling, good night.

Ah! happy is he who can slumber like you,

Be ever, dear child, to your innocence true,

The righteous are watched by the spirits of light,"
Who guard them while sleeping, my darling, good night.

"Few songs of modern days have achieved a more decided or better merited success than Herr Reichardt's charming lied, "Thou art so near and yet so far," which has for the last two years been the delight of all concert-goers and drawing-room vocalists of more than ordinary pretensions. Messrs. Duncan Davison and Co. have just published a new composition, from the same original and elegant pen, entitled "Good Night" (a cradle song). The words are exquisitely simple and unaffected, being the address of a mother to her sleeping babe; and it is but justice to Herr Reichardt to say that he has wedded an exquisite domestic poem to a most graceful, unaffected melody, which breathes the very spirit of maternal tenderness. The song, which is written for a tenor voice-the composer being, as our readers know, one of the first of living German vocalists is in the key of F major; and to amateurs of taste we can cordially recommend "The Cradle Song" as a composition worthy of their attention."-Liverpool

Mail.

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MR.

WEISS.

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R. WEISS'S NEW SONG "THE KNIGHT'S VIGIL." (Poetry by J. P. DOUGLAS.) Composed and sung by Mr. W. H. The custom of watching armour in church was a religious duty imposed upon knights who used to consume whole nights in prayer to some saint whom they chose as their patron. Sir Neville spurr'd his gallant grey, And hied him on his lonely way; But ere he from the saddle sprung, The abbey's midnight chimes had rung.

He doffed his armour, whose fair sheen The stains of battle ne'er had seen; And said, "Heav'n send thee I may be, A worthy son of chivalry."

In hours when bright remembrance came
Athwart his memory like a flame,

A crimson scarf was given to tell,
Of one who loved Sir Neville well.

The gift was fondly cherished yet,"
And while his burning glance it met,
He sighing said, "Be thou to me
The beacon star of victory.".

Sir Neville kept his vigil lone,
Till the matin star had come and gone,
Then donned his armour and away,
He sped him on his gallant grey.

In many a land on fields of fame,

The watchword was Sir Neville's name. Where fell the bravest, there fell he, Fighting for love and chivalry.

The above popular and romantic ballad, now being sung everywhere with the greatest success by Mr. Weiss, is just published, beautifully illustrated, price 3s., by Duncan Davison & Co., 244 Regent Street, W.

EW BALLAD. "IN A LEAFY GARDEN," by GEORGE LODER. Sung with great success by Mr. RICHARD SEYMOUR, is just published, price 2s. 6d.

In a leafy garden, 'neath the evening star,'
Hand in hand they wander, they that lovers are.
In the west a gleaming, where the sun went down,
In the east a splendour from eve's brightning crown;
Gloom beneath the branches, odours in the air,
Happy are the lovers wandering slowly there.
Night hath many voices, none to him so dear
As the low-toned whispers dying on his ear;
Night hath dim revealings, none for him so high,
As the true love beaming in that soft dark eye;
In a summer garden, 'neath the evening star,
Ever will they wander, they that lovers are.
London: Duncan Davison & Co., 244 Regent Street, W.

"MAY."

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New Duettino for equal Voices, by HENRY

SMART, is just published, price 2s. 6d.

I hail thee, May,

Midst smiles so gay,

And song and sunny hours; 'Tis sweet to stray

At close of day

To cull thy dainty flowers.

'Tis sweet to tread

The chosen bed

Of daisies bright and fair,

And hear the song

Which floats along'

From feather'd warblers near.

Then while I live

I'll ever give

A welcome to thee, May,

For thou art queen,

Of fairest green,

Oh! smiling, lovely May.

London: Duncan Davison & Co., 244 kegent Street, W.1

EW ORGAN MUSIC by HENRY SMART.

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SMART, is just published, price 3s., by Duncan Davison and Co., 244 Regent Street, W.
THIS WORLD IS A GARDEN."-Song by GEORGE
JUST
and enthusiastically encored, at the Lyceum Theatre, in the successful Operetta of
"THE PETS OF THE PARTERRE."

This world is a garden, and women I'll prove,
Are the flowers that surround us wherever we rove,
The blooming and blushing, the sad and the gay,
All beauties combined in dear nature's bouquet.

London: Published, price 3s., by Duncan Davison & Co., 244 Regent Street, W.

N

EW WALTZ, "The Woman in White," Valse mys

térieuse, by Charles Marriott, dedicated to Wilkie Collins, Esq., is just published price 3s., by Duncan Davison & Co., 244, Regent Street, W.

ΜΕ

EYERBEER'S ROYAL WEDDING MARCH (Quatrième Marche aux Flambeaux), composed in honour of the Marriage of the Princess Royal of England with Prince Frederick William of Prussia, which was played with such immense effect by the Band of the Guides at the Fète of the Orpheonistes at the Crystal Palace, is published for the Pianoforte, price 5s., by Duncan Davison & Co., 244 Regent Street, W.

THE ENTERPRISING IMPRESARIO.

CHAPTER IV.

speaks broken English with amazing rapidity and volubility; sometimes, in fact, so fast as to confuse her hearers and lose herthe most energetic gesticulations. By Ravenswing, the new soprano self in the excitement of an argument, which she illustrates with who is to make the impresario's fortune, she is called endearingly whole company look up to and respect her as the self-styled "mama" the great tenor, Baroski, is her caro fig'io; and the madre del reggimento. Most admirably she justifies that appellation by the care she takes of her numerous adopted progeny, who occasionally give "mama" much unnecessary trouble, and by their refractory conduct bring on a bilious attack which endangers the kind creature's life. Her home is a rendezvous for all musical people, who are invariably received with a hearty welcome. There the fate of artists is determined-there the fortunes of a theatre are made or marred. It is easily to be understood how invaluable nate as to secure her assistance. Singers and managers acknowsuch a private secretary must be to the impresario who is so fortuledge her tact and talent, and no one blames her if at times she turns her singular position between them to her own advantage.

ANTEATER.

Land, whose concerts at the Dudley Gallery, Egyptian Hall, last THE LONDON GLEE AND MADRIGAL UNION, conducted by Mr. season, obtained a large share of public favour, are about to recommence their entertainments in the same locality. The vocal efforts of the singers will be as before relieved by explanatory remarks and anecdotes by Mr. T. Oliphant. These concerts, we understand, are to be limited in duration to one month, commenc

He has, however, his moments of enjoyment. If a man of taste
and fond of art he has opportunities to indulge his fancy of which
but few can boast. He will find a pleasure in his pursuits, such as
is the envied privilege of artists who derive profit from that which
is most gratifying to their self-esteem. By the exercise of his
judgment a large class of the community is influenced. The pro-
gress of music and the drama may be promoted by his exertions;
he can be of more service to rising talent than "the most distin-
guished patronage." And are not these advantages upon which an
impresario may justly pride himself? His vocation is legitimate
speculative, unquestionably, to a certain extent, but not more so
than any other business, while requiring, perhaps, greater judgment
and experience to be followed with success.
Reckless speculation, whether induced by opposition or an in-
ordinate desire of notoriety, is not enterprise, and is as much to be
censured in a theatrical impresario as in any other individual, and
perhaps in his case is more reprehensible when it is considered
what numbers depend for their livelihood upon his careful and
judicious management. The closing of a theatre or failure of any
important undertaking for the amusement of the public deprives
many families of their weekly stipend, reducing them to
penury
and want. Singers, actors, and musicians are not the only suf-
ferers, and are better able to withstand such a misfortune than
those employed in the other departments of a theatre. By these
inferior officers the obedience paid to the manager or "Governor"
(as he is called) approaches slavery. His orders are obeyed as
implicitly and promptly as those of a despot. His sway is abso-ing on the 7th January.
lute, and he issues his edicts with the air and dignity of a monarch.
A change of temper in the "governor" is discussed by the mer-
cenaries with fear or delight as an important event, affecting their
interests and happiness. The governor smiles, and the mercenaries
rejoice; he frowns, and they are sad and silent. It is an evil
presage, and none dare approach him until he smiles again.
So complete is the submission of these servants they will incur
almost any danger, or perform any duty, to gratify the caprices of
the manager. An instance is on record of the impresario of an
English opera, who in a moment of hilarity, wished to play a prac-
tical joke upon the baritone of the company, desiring four of his
minions to carry that functionary off the stage at a given signal.
The order was executed when the unsuspecting victim was singing
a ballad. A man seized each arm and leg, and in spite of violent
kicking and struggling the unfortunate baritone was borne away
upon the shoulders of the four servants, much to his own surprise
and the astonishment of the audience, who had been listening to his
singing thus unceremoniously interrupted. The baritone's name
was Duruset, and the impresario's-but no, perhaps it is better
that should not be mentioned. It was a folly of youth, and one he
may perhaps wish to be forgotten, although I'm glad to say expe-
rience and age seem to have had but little influence upon his
lively Hibernian temperament, which, though it rendered him
unfit for the serious duties of an impresario, makes him a most
vivacious and agreeable companion.

The "second in command," he whose authority is inferior in importance only to that of the manager himself, is the private secretary. He sits in the ante-chamber, and is the true medium of communication with the "spirit of management," whose "rappings" he interprets. The private secretary alone has free access to the throne-room of the theatrical autocrat. He is at once the Peter and Cerberus of the establishment, admitting those who please him-keeping at bay the importunate intruders. He is better acquainted with the affairs of the impresario than the impresario himself. Court is paid him by those who seek engagements; bribes are offered to secure his interest, which according to his honesty are accepted or rejected; in short, if the impresario is to be conciliated, his secretary is supposed to be the best medium of propitiation. Sometimes the private secretary is of the softer sex; then the representative of the office is a mere dummy, a domestic instructed how to act and what to say. The lady has unlimited influence upon the impresario, and manages the artists better than he can himself. She is generally of a certain age, having once enjoyed the reputation of a prima donna, and had long experience in theatrical affairs. She has a loud, shrill voice,

CHRISTMAS ELIJAH AT MANCHESTER.-The custom of giving an oratorio on Christmas day is, we believe, peculiar to Manchester; and it is certainly a matter of surprise that what is so appropriate to, and thoroughly in harmony with, the beautiful associations of the day, should not have induced other large towns to follow so worthy an example. This annual performance is anticipated by numerous families, not only of Manchester, but also of the surrounding districts; and large numbers come long distances to enjoy what they have for many years found a sufficient reward for the trouble bestowed in the journey. On the present occasion the oratorio was Elijah, one of those productions which can never be heard without the regret that Mendelssohn "fell asleep" so soon. Mad. Sherrington, Miss Fanny Huddart, Messrs. Wilbye Cooper and Weiss were the singers, a quartet not often surpassed in the provinces for general concert purposes, and, individually, well adapted to the particular class of music under consideration. There was a large choral body of professional singers. Mr. D. W. Banks, acted as conductor. Mr. C. A. Seymour as leader, and Mr. Henry Walker presided at the organ. Mad. Sherrington gave "Hear ye, Israel" with earnest fervour and in true appreciation of the composer's meaning, and we remember none surpassing her in the duet between the Widow and Elijah. Here Mad. Sherrington is thoroughly at home from the innate dramatic feeling which she undoubtedly possesses, and which her recent appearances in London have so successfully displayed. Miss Fanny Huddart's "Oh, rest in the Lord," is always greatly acceptable, and on the present occasion won a persevering encore. Mr. Wilbye Cooper succeeded in winning a large amount of applause. We are acquainted with but one tenor singer who gives sacred music generally with a truer interpretation-with more purity of tone, greater delicacy, and more earnest feeling. Mr. Weiss seems to have found refreshing influences, for he certainly is at this period singing finer than he has done for two or three years past. Nothing could be more satisfactory than the greater portion of what he had to do. He is always earnest and conscientious, and on the present occasion was in fine voice, and certainly showed that the rising men will have to study hard if they propose to pass him in the race. On the whole, the concerted music was beautifully sung-the trio "Lift thine eyes" gaining a rapturous We have never heard the concluding chorus to the first part, "Thanks be to God," sung more effectively. The instrumentalists, also, must take their fair share of praise. The audience exceeded three thousand, and the applause, frequent and warm, gave indication of no small amount of enjoyment. In looking round upon that mass of carnest faces it would be difficult to

encore.

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