The God of Arts: Ruling Ideas in Shakespeare's ComediesStudy of basic ideas that shape action and characterization, or characters' concepts of themselves, starting with the individuals self-definition and moving out to his relations with others, with society, and with whatever of the world is beyond human control. |
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Tartalomjegyzék
Contents | 1 |
A Disguise of Love | 21 |
Things that Befall Preposterously | 45 |
3 további fejezet nem látható
Gyakori szavak és kifejezések
accept actions acts actual Angelo appearances Arden attempt become begins Bertram better brings cause chance chapter characters claim Claudio Comedy comic commitment concern course critics death direct disguise Dream Duke Errors evil experience expressed external false Falstaff faults finally follow forces given gives Helena Hero hope human husband ideas identity intended involved judgment Julia kind King known lady later least leave Leontes live London look lovers magic marriage meaning Measure mock moral nature never offers once Orlando parody pattern perhaps Pericles person play Posthumus present problem Prospero Proteus prove reality reason reform repentance restoration ring role Rosalind rule says seems sense Shakespeare shows Shylock Silvia suggests thinks thou true trust turns Viola vision vows wants whole wife wishes
Bibliográfiai információk
| Cím | The God of Arts: Ruling Ideas in Shakespeare's Comedies 48. kötet/Humanistic studies, University of Kansas 48. kötet/Inmun yŏnʼgu nonjip University of Kansas publications 48. kiadás/University of Kansas publications: Humanistic studies, ISSN 0085-2473 |
| Szerző | William O. Scott |
| Kiadó | University of Kansas, 1977 |
| Terjedelem | 140 oldal |
| Idézet exportálása | BiBTeX EndNote RefMan |