Macmillan's Magazine, 53. kötetMacmillan and Company, 1886 |
Részletek a könyvből
1 - 5 találat összesen 70 találatból.
18. oldal
... knew more of the secrets of the East than that of the Kaiser Franz Josef , with its control of the mailbags and the telegraph wires carrying the news of the East to the West . The exceptional means of in- formation which it thus ...
... knew more of the secrets of the East than that of the Kaiser Franz Josef , with its control of the mailbags and the telegraph wires carrying the news of the East to the West . The exceptional means of in- formation which it thus ...
28. oldal
... knew in the days before the flood , when gowns were only worn by men , when no blatant tramway desecrated the High Street , and no chattering nursemaids broke the sacred stillness of Magdalen groves . Then the old gray quadrangles are ...
... knew in the days before the flood , when gowns were only worn by men , when no blatant tramway desecrated the High Street , and no chattering nursemaids broke the sacred stillness of Magdalen groves . Then the old gray quadrangles are ...
29. oldal
... knew no more than readers of the morning papers knew till the other day where Yap might be . Somewhere between the two Hinkseys the path must lie ; so much was clear , but nothing On Classic Ground . 29.
... knew no more than readers of the morning papers knew till the other day where Yap might be . Somewhere between the two Hinkseys the path must lie ; so much was clear , but nothing On Classic Ground . 29.
44. oldal
... knew his business . " I do not mean to say that the Ameri- can is naturally cut out for a loafer , but I do say that he has a languid and faded look . The enterprise of the States is largely in the hands of new settlers . It is they who ...
... knew his business . " I do not mean to say that the Ameri- can is naturally cut out for a loafer , but I do say that he has a languid and faded look . The enterprise of the States is largely in the hands of new settlers . It is they who ...
55. oldal
... characteristic in society was a daring self - possession , and he was often heard to declare that in his intercourse with men he never knew the sensation of His inferiority or embarrassment . liveliness , tact , and 55.
... characteristic in society was a daring self - possession , and he was often heard to declare that in his intercourse with men he never knew the sensation of His inferiority or embarrassment . liveliness , tact , and 55.
Más kiadások - Összes megtekintése
Macmillan's Magazine, 58. kötet David Masson,George Grove,John Morley,Mowbray Morris Teljes nézet - 1888 |
Gyakori szavak és kifejezések
Amy Robsart asked Austria authority Baudissin beauty Borrow called cards Caron character Châteauroux Christian Church Comenius criticism Cumnor death door Egypt England English eyes face Faroe father feeling German give Gladstone hand heard heart honour human imagination interest kind king knew labour lady land Lavengro lead less letter literary literature living look Lord Robert Dudley Low Church lyric marriage matter means Mendelssohn ment mind Molière Moses Mendelssohn mother nature never night Nohant Olaus once passed passion perhaps piastres play poem poet poetic poetry political present queen question reader Romany Rye round seemed sense slavery spirit strong suit Susy tell things Thomas de Keyser thought tion truth turned Virgil voice woman words writing young
Népszerű szakaszok
189. oldal - Archangel: but his face Deep scars of thunder had intrenched, and care Sat on his faded cheek, but under brows Of dauntless courage, and considerate* pride Waiting revenge.
12. oldal - I have of late— but wherefore I know not— lost all my mirth, forgone all custom of exercises; and indeed it goes so heavily with my disposition that this goodly frame, the earth, seems to me a sterile promontory; this most excellent canopy, the air, look you, this brave o'erhanging firmament, this majestical roof fretted with golden fire, why, it appears no other thing to me than a foul and pestilent congregation of vapours.
190. oldal - Sweet flower ! for by that name at last, When all my reveries are past, I call thee, and to that cleave fast, Sweet silent creature ! That breath'st with me in sun and air, Do thou, as thou art wont, repair My heart with gladness, and a share Of thy meek nature ! TO THE SAME FLOWER.
191. oldal - Is the night chilly and dark ? The night is chilly, but not dark. The thin gray cloud is spread on high, It covers but not hides the sky. The moon is behind, and at the full ; And yet she looks both small and dull. The night is chill, the cloud is gray : Tis a month before the month of May, And the Spring comes slowly up this way.
86. oldal - Will no one tell me what she sings? — Perhaps the plaintive numbers flow For old, unhappy, far-off things And battles long ago; Or is it some more humble lay, Familiar matter of today Some natural sorrow, loss, or pain, That has been, and may be again?
400. oldal - Tho' world on world in myriad myriads roll Round us, each with different powers, And other forms of life than ours, What know we greater than the soul?
189. oldal - He, above the rest In shape and gesture proudly eminent, Stood like a tower. His form had yet not lost All her original brightness, nor appeared Less than archangel ruined, and the excess Of glory obscured ; as when the sun, new risen, Looks through the horizontal misty air Shorn of his beams, or from behind the moon, In dim eclipse, disastrous twilight sheds On half the nations, and with fear of change Perplexes monarchs.
149. oldal - There is neither speech nor language : but their voices are heard among them. Their sound is gone out into all lands : and their words into the ends of the world.
419. oldal - Jove's decree, In a bowl Care may not be ; In a bowl Care may not be. Fear ye not the waves that roll ? No : in charmed bowl we swim. What the charm that floats the bowl ? Water may not pass the brim. The bowl goes trim. The moon doth shine. And our ballast is old wine ; And your ballast is old wine.
191. oldal - ... that of counting in each line the accents, not the syllables. Though the latter may vary from seven to twelve, yet in each line the accents will be found to be only four. Nevertheless this occasional variation in number of syllables is not introduced wantonly, or for the mere ends of convenience, but in correspondence with some transition, in the nature of the imagery or passion.