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I. All four couple both hands; the four gentlemen contre tchout letting the left hand go, and form a double crofs.

II. The four gentlemen turn to the right, pass under the arm to their places.

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XIX. An Enquiry into the Nature, Rife, and Progrefs, of the Fevers most common in London, &c. By William Grant, M. D. 8vo. 5s. Cadell.

When the readers of the metropolis are informed, that this article is in general executed with much ability, they will think it, we doubt not, worth a ferious perufal.Sydenham is the great guide by whom our author regulates his enquiry, and in the course of it, many observations will be found not only curious, but fome even enter

taining on account of their whimsicality. XX. The female Monitor; to cubich is annexed a Treatife on Divorces, containing fingle Ladies. By a Clergyman of the very feasonabledvice to both married and Church of England, 12mo. is. 6d. Dixwell.

We are at a lofs which most to condemn, the dullness, or the impudence of The Female Monitor; the defign is no lefs contemptible than the execution; and a scribbler must be wretched indeed, who makes himself equally reprchenfible as a man and a writer.

POETICAL ESSAYS.

The TEARS of the BRITISH MUSE.

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for me,

No hope for me, in my lov'd native land,

Lov'd native land-The land of Liberty? Should I alone of all the Sifter-Arts

Be forc'd my antient honours to refign? A painful exile driv'n to foreign parts, With favage tribes, in favage haunts to pine ?

Yet me the Picture hails her guide; my page The Sculptor's hand directs, my ftrains infcire:

I form the Prince, the Patriot, and the Sage; And tune to lofty Hymns the facred lyre. What is Cæcilia's boasted Art to mine?

Her fenfelefs founds, to my Cæleftial lays? To Reafon's rule 1 frame her touches fine, And higher fill her Diapafon raise. Why should I to my fifter Picture bend?

Have Milton's Michael Julio's Gods outfbone ?

Can Angelo's Laft Day with Young contend? Vies Paolo'st Cato with my Addifon?

The trembling Arts long fear'd the Thunderer's nod,

His awful brows lay unattempted long; Till deathlefs Homer dar'd defcribe the God, And Sculpture caught expression from the Song !

Of old, in fair Creation's youthful day,

Ere man to venal arts had form'd his tongue, What vigorous Sense and Fancy bad him fay, Affifted by my powerful aid he fung.

But fince the race are dwindled, fince their hours

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Are few and guilty on the darken'd earth, Corrupted hearts, falle tongues, and weaken'd pow'rs

To cold and artificial Profe gave birth. In thofe first days I reign'd in gorgeous pride, And tow'red Memphis heard my lyre refound

The Picture joyn'd, and Sculpture by her fide, To grace with emblem'd pomp the rites profound.

Hai', antient Freedom, antient Glory, hajl!

And hail, ye Suns, that bless'd my bright

er days, [mail When Athens faw me cloath her chiefs in And bear them dauntless to the lifts of Praife!

The Graces met me, by Ilyffus, wave.

Old Tyber next pretents his ftately views, Till laft, where Albion's rocks the tempeft brave, [tish Mufe.

I came, and fince am call'd the BriAnd from that time, that time, that happy Time [eyes, When Albion's fnowy cliffs firft met mine Than Mincius more or Arno's od'rous clime, My Camus now, and Ifis' bank I prize. Yet there, ev'n there, ev'n in those facred feats

Rais'd to preferve the facred Mu ́e's lore, My trees neglected y eld but fickly sweets! The British Mufe pines on the British shore!

• The reader will find an account of the picture of Julio Romano bere referred to, in Mexrefquieu's effuy on tafle.

Rubens's bead of Cato, in the possession of the right boncurable the earl of. Meira.

1 Lucretius Lib. 1. v. 222.

08. 1771.

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reign.

Save diftant gleams of Guelfo's glorious Long had I lain beneath the gloomy shade, But for those favourite Names, to whom I lent

My skill, to whom my visions I convey'd, And led them forth, the nation's ornament! But chief, for that fam'd Line from Azzo fprung [pray'rs allow,) (Whom long may Heav'n to Britain's I oft appear'd, Germania's ftates among,

And all unknown in Britain wander now!

And muft I leave that race, for whom I chofe To twine the Chaplet of immortal Fame? For whom I cropt whatever Pindus shows,

Or Peneus' bow'rs, or Pifa's honour'd stream?

And must I Britain leave?-Can I forget,

While round her breast the guardian oceans roll,

Her virtues, for the world's great pattern set ? Her honeft eye transparent to the foul? No-I can ne'er forget-forget to tell

In Selma, when the feaft of fhells was high, Where for the flaming hearth whole forefts fell, How honour'd, how carefs'd, how blefs'd was 1!

There many a nymph array'd in Beauty's fmile,

And ftripling trim my gambols joy'd to lead Aerial harps were fweetly heard the while, Andwanton Pleasures folick'd o'er the mead. Next Tityrus me woo'd (a reverend name) Who tun'd his reed to many a courtly tale And Hawthornden's § fweet-piping Shepherd [vale!

came,

Whofe loves enchanted Ora's beauteous Then l'beral Nature did to † One impart

All the could give to grace her fav'rite fon. His was each key that opes the human heart; Himfelf a Mufe-For he and I were one! Inter days, my prefence | Collins fought, He heard my voice, my Songs he made his

own;

My lyre he ftrung, my magic fire he caught, Yet ah-how quick the tuneful Spirit's Яlown!

And many more me lov'd, and all admir'd From earliest time to Glory's latest stageThe Songs I fung, the Themes that I infpir'd, The praife of Gods could Gods and men engage.

Shall thofe, my fifters, born on me to wait,

My younger fifters, handmaids of the Nine, Shall they ufurp my throne, affect my state, My ftately port, and majefty divine? Should I, who fung to Gods and Heroes old, To Freedom's gen'rous fons e'er fue in vain? I fir'd with gallant-thoughts the § chieftain bold, [plain! Who pour'd his life on Chalgrove's fatal When the third Edward, borne on Virtue's car, Scal'd the steep road to Glory's radiant dome, At Crefly I maintain'd th’unequal war,

And brought the warrior crown'd by Con-
quest home.

The Great of every age my pow'r adore,
Freedom's fam'd champion on

pi's field,

Philip

The lonely night my Odes repeating o'er,

His breaft to deeds of noble daring steel'd! Who will not turn his eye,where ++Colin pays

His funeral tear to generous Sydney's herfe? Who can but look, when Cowley frames the lays,

And Hervey fhines all-glorious in the [verfe?

Still Akenfide the gentle Haftings fings,

And Mason finds a friend in D'Arcy still. Forbid it, Virtue, that the best of kings

Alone fhould flight the Mufe's heavenly skill!

Forbid it, gracious Heav'n, forbid it, Truth, Forbid it, Piety, forbid it, Fame,

Forbid it, Fate, that Guelfo's royal Youth Should change for mimic fires my living flame!

Yet, ev'n the favage tribes my influence own, Beneath th'impetuous Sun, o'er realms of fnow,

From Zembla's fky to Delli's blazing throne-Ev'n on the Tenglio-bank my roses blow! My rapturous ftrain the chill Siberian chears. The Arab harks, and turns his flying fteed. Me, in his foreft, Chili's native hears,

For me, the generous fons of Bastia bleed! For me, gay Light affumes its varying dyes, And Nature opes her bofom of perfume. I footh the Virgin's care, the Matron's fighs; And wake, to wond'rous life, the filent tomb.

The flaughter of the Welsh bards by Edward the Firft. + See Offian's poems.

Hampden.

Chaucer.

Drummonds

** Brutus.

tt Spenfer.

+ Shakespeare.

William Hervey died at Cambridge about the year 1642. He was lamented in a beautiful poem by Cowley.

The

The hags, that guarded Gloriana's reign,
That oft their Spenfer met at midnight
hour,
[thane,
Thofe horrid hags that haunted Cawdor's
All crouch to me-All Nature feels my
power!

And is no place for me in Britain's isle?
Where once the feftal night I could pro-
long,

And joy and glory grew beneath my smile, And foft-ey'd Peace, and Freedom's matchlefs fong!

Is there no hope for me-She faid no moreBut tears and fighs fupprefs'd the notes divine.

All pale fhe fell upon the blighted shore. To heal her woes, O mighty George, be thine!

EPITAPH en Mr. PowELL's Monument at Briftol.

THE monument reprefents Fame holding a medallion with a profile of POWELL; over which is the following infcription.

WILLIAM POWELL, Efq;
One of the patentees of the theatre-royal,
Covent-Garden,

Died the 3d of July, 1769,
aged thirty-nine years.

His widow caufed this monument to be
erected, as well to perpetuate his memory,
as her own irretrievable loss of the best of
husbands, fathers, and friends.

Beneath the above figure are the following lines and fignature.

BRISTOL! to worth and genius ever juft, To thee our POWELL's dear remains we truft;

Soft as the ftream thy facred springs impart,
The milk of human kindnefs warm'd his
heart,

That heart which ev'ry tender feeling knew,
The foil where pity, love, and friendship grew.
Oh let a faithful friend with grief fincere
Infcribe his tomb, and drop the heart-felt tear,
Here reft his praife, here found his nobleft
fame!

-All elfe a bubble or an empty name.
G. COLMAN.

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Yet, I confefs, I'm always loth
To think fuch beauty was but froth;
Or that the ocean, which more odd is,
Should from a bubble form a goddess.
Tho' hence, my Laura, learned fellows
Of fuch its wond'rous pow'rs ftill tell us,
That every mother brings her daughter
To dip in this specific water;
Expecting from the briny wave
Charms which it once to Venus gave.
Thefe charms, my Laura, ftrive to gain;
And, that you may not bathe in vain,
I'll here, as well as I am able,
Give you a moral to this fable.
Would you a goddess reign o'er all,
From the wide flood its virtues call.
Free from each stain thy bosom keep,
Clear be it as this azure deep;
Which no capricious paffion knows,
But duely ebbs and duely flows:
Tho fome times ruffled, calm'd as foón,
Still conftant to its faithful moon;
At whose approach with pride it fwells,
And to each fhore its chafte love tells;
Heedlefs of every change of weather,
That wafts a straw or coxcomb feather,
Which only on the furface play,
And unobferv'd are wash'd away.
Reflect, that lodged within its breaft
The modeft pearl delights to rest;
While every gem to Neptune known,'
Is there with partial bounty sown-
In years, thus ever may we trace
Each sparkling charm, each blushing grace.
To these let judgment value give,
And in that feat of beauty live.
This moral keep before your eyes
Plunge and a new-born Venus rife.

On feeing Mifs BURTON perform the Part of
ORIANA in The Inconstant at the Thea-
tre in Plymouth.

By a LADY.
AY the fair Oriana, whofe excellent

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[will,
Can play with the paffions, and lead them at
So charming in madness, so pleasingly gay,
That our fmiles and our tears her commands
must obey.
[tain ;
May this girl of iny heart all her wishes ob-
If the loves, may the youth be a true-hearted
fwain ;
: [Яy
Not a Mirabel, skill'd to deceive, who would
While he laughs at the contract, to shen the
foft tye;
t [her heart,
On the ftage of the world who would torture
To feel all thofe paffions the feigns with fuch
art,
[draw;

Not a rover as Farquhar's light fancy could
But who faithful and steady to honour's fix'd
law,
Will her conftant affection repay with such
[love,
As no fickness, no absence, no years can re-
[away,
With a flame that will brighten as time ralls
And will ne'er be extinguifh'd in beauty's
decay;
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move :

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