The Last Pagans of Rome

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Oxford University Press, 2010. dec. 21. - 896 oldal
Rufinus' vivid account of the battle between the Eastern Emperor Theodosius and the Western usurper Eugenius by the River Frigidus in 394 represents it as the final confrontation between paganism and Christianity. It is indeed widely believed that a largely pagan aristocracy remained a powerful and active force well into the fifth century, sponsoring pagan literary circles, patronage of the classics, and propaganda for the old cults in art and literature. The main focus of much modern scholarship on the end of paganism in the West has been on its supposed stubborn resistance to Christianity. The dismantling of this romantic myth is one of the main goals of Alan Cameron's book. Actually, the book argues, Western paganism petered out much earlier and more rapidly than hitherto assumed. The subject of this book is not the conversion of the last pagans but rather the duration, nature, and consequences of their survival. By re-examining the abundant textual evidence, both Christian (Ambrose, Augustine, Jerome, Paulinus, Prudentius) and "pagan" (Claudian, Macrobius, and Ammianus Marcellinus), as well as the visual evidence (ivory diptychs, illuminated manuscripts, silverware), Cameron shows that most of the activities and artifacts previously identified as hallmarks of a pagan revival were in fact just as important to the life of cultivated Christians. Far from being a subversive activity designed to rally pagans, the acceptance of classical literature, learning, and art by most elite Christians may actually have helped the last reluctant pagans to finally abandon the old cults and adopt Christianity. The culmination of decades of research, The Last Pagans of Rome overturns many long-held assumptions about pagan and Christian culture in the late antique West.
 

Tartalomjegyzék

CHAPTER 15
ccxciii
Greek Texts and Latin Translation
cccxxxiii
Vergil and His Commentators
cdviii
The Annales of Nicomachus Flavianus I
dcxliii
CHAPTER 19
dcxcii
1a and Contorniates of Apollonius of Tyana and Nero 692
dcxciv
Parabiago plate 700
dccix
Liverpool venatio panel
dcclxiii

Pagan Writers
Macrobius and the Pagan Culture of His
CHAPTER 8
The Poem against the Pagans
xlv
Other Christian Verse Invectives
cxxx
CHAPTER 10
cxlv
The Real Circle of Symmachus
xv
CHAPTER 11
l
The Pagan Literary Revival
ciii
CHAPTER 12
cxvi
Correctors and Critics I
cxliv
CHAPTER 13
clxxxvii
Correctors and Critics II
ccviii
CHAPTER 14
ccxliii
The Livian Revival
cclxxxii
The Historia Augusta
iv
CONCLUSION
liii
APPENDIX
lxxxix
SELECTED BIBLIOGRAPHY
ci
INDEX
dxiii
Dido sacrifices accompanied by two victimarii and a camillus
4
Three seated Trojans man sacrifices
5
left
124
Consular diptych of Boethius
6
SymmachorumNicomachorum diptych
7
Consecratio diptych
8
9a and Christ and Virgin diptych 9b 10 Consecratio relief on mausoleum at Igel
10
Apotheosis of Antoninus Pius and Fausta Rome
11
Fauvel panel
12
Lampadiorum panel
13

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Alan Cameron is Charles Anthon Professor Emeritus of Latin at Columbia University. His previous books include Claudian: Poetry and Propaganda at the Court of Honorius, The Greek Anthology: From Meleager to Planudes, Callimachus and his Critics, and Greek Mythography in the Roman World. He is the winner of the 2013 Kenyon Medal for Classical Studies and Archaeology of the British Academy.

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