Haydn: The CreationCambridge University Press, 1991. máj. 31. - 135 oldal Haydn's Creation is one of the great masterpieces of the classical period. This absorbing and original account of the work provides an indispensable guide for the concert-goer, performer and student alike. The author places the work within the oratorio tradition, and contrasts the theological and literary character of the English libretto with the Viennese milieu of the first performances. The complete text is provided in both German and English versions as a useful reference point for discussion of the design of the work, the musical treatment of the words, including questions of Haydn's pictorialism, and a detailed examination of the different movement types employed. The book also contains a brief history of the reception of the work with appendices of notes on the changing performance traditions and selected extracts from critical accounts from the nineteenth and twentieth centuries. |
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Tartalomjegyzék
Background | 1 |
The English oratorio | 3 |
Haydns career | 4 |
Haydns oratorios | 5 |
Theology | 9 |
Religion in Georgian England | 10 |
Religion in Catholic Austria | 15 |
Haydns religion | 16 |
Choruses | 78 |
Orchestral movements | 82 |
The Hymn | 84 |
Excerpts from critical essays | 89 |
William Gardiner 1811 | 93 |
Thomas Busby 1819 | 94 |
Edward Taylor ? 1834 | 95 |
PLA 1846 | 96 |
The libretto | 19 |
Sources structure and revision | 20 |
Literary character | 24 |
Translation and adaptation | 26 |
Composition performance and reception | 31 |
First performances in Vienna | 35 |
Publication | 36 |
First London performances | 39 |
Early Paris performances | 40 |
First American performances | 41 |
Critical reception | 42 |
Design of the work | 47 |
Musical unity | 49 |
Text and musical treatment | 52 |
Musical analysis | 65 |
Accompanied recitative | 66 |
Arias and ensembles | 69 |
Hugo Wolf 1885 | 98 |
Paul Dukas 1904 | 100 |
Donald Francis Tovey 1934 | 103 |
Karl Geiringer 1963 | 106 |
Charles Rosen 1972 | 107 |
Performance practice | 109 |
Vocal soloists | 110 |
Orchestral forces | 111 |
Continuo realization | 113 |
Tempo | 114 |
Embellishment | 115 |
Dynamics and articulation | 116 |
Editions currently available and numbering of movements | 118 |
Notes | 121 |
129 | |
132 | |
Más kiadások - Összes megtekintése
Gyakori szavak és kifejezések
Accompanied recitative Adagio Adam and Eve Allegro angels aria bars bass Brown cadence capo form cellos Chor choral chords chorus composer composer's composition contemporary continuo contrabassoon Creation double bass duet edition English oratorio English text Erde example expression firmament followed fugue full score Gabriel George Alexander Macfarren German text Gesellschaft der Musikfreunde Gott Gottfried van Swieten Handel Handel's oratorios Haydn Haydn's music heavens are telling Himmel Hymn Ibid Italian JOSEPH HAYDN Landon Levarie libretto light major melody Messiah minor movement Mozart Olleson opera seria oratorio Orchestral original Paradise Lost passage Paul Dukas performances phrase piano praise Raphael recapitulation Recitative Raphael Recitative Uriel religious Representation of Chaos ritornello Salomon Secco recitative Seven Last Words Smither solo soloists sonata soprano string structure Swieten Temperley tempo theme Thomas Busby Tobia tonality tone-painting tonic Tovey trans translation Trio Uriel Vienna Viennese Vocal score voices