The Death of Tragedy

achieved action Aeschylus ancient audience awareness belief blood Byron called carry century characters classic close comes complete conventions Corneille critical dead death drama dramatist elements Elizabethan English entire expression fact fall Faust feeling final force formal French genius German give Goethe Greek Greek tragedy heart human Ibsen ideal imagination kind King language late Lear less light literature living longer look manner Marxism master meaning mind modes moral moreover myth mythology natural nearly neo-classic performance Phèdre play poet poetic poetry political possible precisely present prose Racine reality reason rhetoric romantic scene Schiller seems sense shadow Shakespeare Shakespearean shape social spirit stage stands style suffering theatre theatrical tion tradition tragedy tragic tragic drama translation true turn verse vision