Chekhov on the British Stage

Első borító
Patrick Miles, Patrick J. Miles, Miles Patrick
Cambridge University Press, 1993. máj. 6. - 258 oldal
Chekhov's plays have become the most popular ones in Britain next to Shakespeare's. This is the first book to consider this phenomenon from its beginnings in 1909 to the present. It embodies the facts of Chekhov's progress on the British stage, which involves such giants of twentieth-century theater as Komisarjevsky, Bernard Shaw, Peggy Ashcroft and John Gielgud, but it also examines the highly contentious issues of directing, acting and translating Chekhov in Britain today. It is a book intended for those interested in the living British theater.

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Tartalomjegyzék

differences
6
AngloRussian theatrical
20
Bernard Shaws dialogue with Chekhov
43
the English response
54
Komisarjevskys 1926 Three Sisters
65
Peggy Ashcroft and Chekhov
78
Chekhov and the Welsh
101
A path to Chekhov
126
a new English version by Trevor
156
Mike Alfreds methods with
169
Chekhov and the company problem in the British
185
Design for Chekhov
194
My search for standards as a translator of Chekhovs
209
the case of The Seagull
216
a Russian view
226
A CHRONOLOGY OF BRITISH PROFESSIONAL
237

Chekhov
136
the politics of British Chekhov
147

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