Patterns in Shakespearian TragedyMethuen, 1960 - 205 oldal |
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. oldal
... Pattern of Growth : Hamlet 5. The Pattern of Moral Choice : Othello 14 36 65 91 116 6. The Pattern of Regeneration : King Lear 7. The Operation of Evil : Timon of Athens and Macbeth 137 8. The Final Paradox : Antony and Cleopatra and ...
... Pattern of Growth : Hamlet 5. The Pattern of Moral Choice : Othello 14 36 65 91 116 6. The Pattern of Regeneration : King Lear 7. The Operation of Evil : Timon of Athens and Macbeth 137 8. The Final Paradox : Antony and Cleopatra and ...
65. oldal
... pattern for tragedy he had developed in Romeo and Juliet , and some clue to Shakespeare's intentions in Hamlet may be found in that earlier work . The crude Senecan revenge formula of the Ur - Hamlet , his source , 2 lent itself like ...
... pattern for tragedy he had developed in Romeo and Juliet , and some clue to Shakespeare's intentions in Hamlet may be found in that earlier work . The crude Senecan revenge formula of the Ur - Hamlet , his source , 2 lent itself like ...
90. oldal
... pattern of tragic action which he had first developed out of Senecan ante- cedents in Romeo and Juliet . This type of tragedy he never again attempted . In his next play ... Pattern of Moral Choice : Othello I 90 The Pattern of Growth.
... pattern of tragic action which he had first developed out of Senecan ante- cedents in Romeo and Juliet . This type of tragedy he never again attempted . In his next play ... Pattern of Moral Choice : Othello I 90 The Pattern of Growth.
Tartalomjegyzék
Introduction | 1 |
Titus Andronicus Richard III Romeo and Juliet | 14 |
King John Richard II Julius Caesar | 36 |
Copyright | |
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accept action affirms Alcibiades Antony and Cleopatra Antony's Athens attain audience Aufidius Banquo beast Bolingbroke Brutus Cassius cause character Christian Claudius Cordelia Coriolanus corruption damnation death delusion deny Desdemona destroy destruction divine Dover Wilson dramatic E. M. W. Tillyard Edgar Elizabethan emphasize England father Faulconbridge feeling final folly fool force of evil ghost Gloucester God's harmonious order Hamlet hath honour human Iago Iago's implicit Julius Caesar justice King John King Lear Laertes Lear's learned lust Macbeth madness man's medieval moral order murder nature Octavius Ophelia Othello passion pattern play Plutarch political pride reason redemption reflects regeneration rejection Renaissance revenge Richard Richard III Roman Rome Romeo and Juliet salvation scene Senecan Shake Shakespeare Shakespearian Tragedy sins soul speare speare's speech spite suffering symbol thee thematic theme thou Timon Titus Andronicus tradition tragic hero universe unnatural victory virtue Volumnia Wilson Knight wrong moral choice