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LONDON: PRINTED BY WILLIAM CLOWES AND SONS, STAMFORD STREET,

AND CHARING CROSS.

CHILDE HAROLD'S PILGRIMAGE.

A ROMAUNT.

L'UNIVERS est une espèce de livre, dont on n'a lu que la première page quand on n'a vu que son pays. J'en ai feuilleté un assez grand nombre, que j'ai trouvé également mauvaises. Cet examen ne m'a point été infructueux. Je haïssais ma patrie. Toutes les impertinences des peuples divers, parmi lesquels j'ai vécu, m'ont réconcilié avec elle. Quand je n'aurais tiré d'autre bénéfice de mes voyages que celui-là, je n'en regretterais ni les frais ni les fatigues.-LE COSMOPOLITE.

PREFACE TO THE FIRST AND SECOND CANTOS.

THE following poem was written, for the most part, amidst the scenes which it attempts to describe. It was begun in Albania; and the parts relative to Spain and Portugal were composed from the author's observations in those countries. Thus much it may be necessary to state for the correctness of the descriptions. The scenes attempted to be sketched are in Spain, Portugal, Epirus, Acarnania, and Greece. There, for the present, the poem stops; its reception will determine whether the author may venture to conduct his readers to the capital of the East, through Ionia and Phrygia: these two cantos are merely experimental.

A fictitious character is introduced for the sake of giving some connexion to the piece; which, however, makes no pretension to regularity. It has been suggested to me by friends, on whose opinions I set a high value, that in this fictitious character, "Childe Harold," I may incur the suspicion of having intended some real personage: this I beg leave, once for all, to disclaim-Harold is the child of imagination, for the purpose I have stated. In some very trivial particulars, and those merely local, there might be grounds for such a notion; but in the main points, I should hope,

none whatever.

It is almost superfluous to mention that the appellation "Childe," as "Childe Waters,"" Childe Childers," &c., is used as more consonant with the old structure of versification which I have adopted. The "Good Night," in the beginning of the first canto, was suggested by "Lord Maxwell's Good Night," in the Border Minstrelsy, edited by Mr. Scott.

With the different poems which have been published on Spanish subjects, there may be found some slight coincidence in the first part, which treats of the Peninsula, but it can only be casual; as, with the exception of a few concluding stanzas, the whole of this poem was written in the Levant.

The stanza of Spenser, according to one of our most successful poets, admits of every variety. Dr. Beattie makes the following observation:-" Not long ago, I began a poem in the style and stanza of

Spenser, in which I propose to give full scope to my inclination, and be either droll or pathetic, descriptive or sentimental, tender or satirical, as the humour strikes me; for, if I mistake not, the measure which I have adopted admits equally of all these kinds of composition."*-Strengthened in my opinion by such authority, and by the example of some in the highest order of Italian poets, I shall make no apology for attempts at similar variations in the following composition; satisfied that if they are unsuccessful, their failure must be in the execution, rather than in the design, sanctioned by the practice of Ariosto, Thomson, and Beattie.

LONDON, February, 1812.

ADDITION TO THE PREFACE.

I HAVE now waited till almost all our periodical journals have distributed their usual portion of criticism. To the justice of the generality of their criticisms I have nothing to object: it would ill become me to quarrel with their very slight degree of censure, when, perhaps, if they had been less kind they had been more candid. Returning, therefore, to all and each my best thanks for their liberality, on one point alone shall I venture an observation. Amongst the many objections justly urged to the very indifferent character of the "vagrant Childe," (whom, notwithstanding many hints to the contrary, I still maintain to be a fictitious personage,) it has been stated, that, besides the anachronism, he is very unknightly, as the times of the Knights were times of Love, Honour, and so forth. Now, it so happens that the good old times, when "l'amour du bon vieux tems, l'amour antique," flourished, were the most profligate of all possible centuries. Those who have any doubts on this subject may consult Sainte-Palaye, passim, and more particularly vol. ii. p. 69. The vows of chivalry were no better kept than any other vows whatsoever; and the songs of the Troubadours Beattie's Letters.

strous mummeries of the middle ages.

were not more decent, and certainly were much Sir Joseph Banks (the most chaste and celebrated less refined, than those of Ovid. The "Cours of ancient and modern times), few exceptions will d'amour, parlemens d'amour, ou de courtesie et de be found to this statement; and I fear a little ingentilesse" had much more of love than of cour-vestigation will teach us not to regret these montesy or gentleness. See Roland on the same subject with Sainte-Palaye. Whatever other objection may be urged to that most unamiable personage Childe Harold, he was so far perfectly knightly in his attributes "No waiter,but a knight templar."* By the by, I fear that Sir Tristrem and Sir Lancelot were no better than they should be, although very poetical personages and true knights "sans peur," though not "sans réproche." If the story of the institution of the "Garter" be not a fable, the knights of that order have for several centuries borne the badge of a Countess of Salisbury, of indifferent memory. So much for chivalry. Burke need not have regretted that its days are over, though Marie-Antoinette was quite as chaste as most of those in whose honour lances were shivered, and knights unhorsed.

I now leave "Childe Harold" to live his day, such as he is; it had been more agreeable, and certainly more easy, to have drawn an amiable character. It had been easy to varnish over his faults, to make him do more and express less, but he never was intended as an example, further than to show, that early perversion of mind and morals leads to satiety of past pleasures and disappointment in new ones, and that even the beauties of nature and the stimulus of travel (except ambition, the most powerful of all excitements) are lost on a soul so constituted, or rather misdirected. Had I proceeded with the poem, this character would have deepened as he drew to the close; for the outline which I once meant to fill up for him was, with some exceptions, the sketch of a modern Timon, perhaps a

Before the days of Bayard, and down to those of poetical Zeluco.
The Rovers, or the Double Arrangement.

LONDON, 1813.

TO IANTHE.

NOT in those climes where I have late been straying,

Though Beauty long hath there been matchless
deem'd;

Not in those visions to the heart displaying
Forms which it sighs but to have only dream'd,
Hath aught like thee in truth or fancy seem'd:
Nor, having seen thee, shall I vainly seek

To paint those charms which varied as they
beam'd-

To such as see thee not my words were weak; To those who gaze on thee what language could they speak?

Ah! may'st thou ever be what now thou art,
Nor unbeseem the promise of thy spring,
As fair in form, as warm yet pure in heart,
Love's image upon earth without his wing,
And guileless beyond Hope's imagining!
And surely she who now so fondly rears
Thy youth, in thee, thus hourly brightening,
Beholds the rainbow of her future years,
Before whose heavenly hues all sorrow disappears.

Young Peri of the West!-'t is well for me
My years already doubly number thine;
My loveless eye unmoved may gaze on thee,
And safely view thy ripening beauties shine;
Happy, I ne'er shall see them in decline;
Happier, that while all younger hearts shall bleed,
Mine shall escape the doom thine eyes assign
To those whose admiration shall succeed,

But mix'd with pangs to Love's even loveliest
hours decreed.

Oh! let that eye, which, wild as the Gazelle's,
Now brightly bold or beautifully shy,
Wins as it wanders, dazzles where it dwells,
Glance o'er this page, nor to my verse deny
That smile for which my breast might vainly sigh
Could I to thee be ever more than friend :
This much, dear maid, accord; nor question why
To one so young my strain I would commend,
But bid me with my wreath one matchless lily blend.
Such is thy name with this my verse entwined;
And long as kinder eyes a look shall cast
On Harold's page, Ianthe's here enshrined
Shall thus be first beheld, forgotten last:
My days once number'd, should this homage past
Attract thy fairy fingers near the lyre

Of him who hail'd thee, loveliest as thou wast,
Such is the most my memory may desire;
Though more than Hope can claim, could Friend-
ship less require?

Childe Harold's Pilgrimage.

CANTO THE FIRST.

I.

OH, thou! in Hellas deem'd of heavenly birth,
Muse! form'd or fabled at the minstrel's will!
Since shamed full oft by later lyres on earth,
Mine dares not call thee from thy sacred hill:
Yet there I've wander'd by thy vaunted rill;
Yes! sigh'd o'er Delphi's long deserted shrine,
Where, save that feeble fountain, all is still;
Nor mote my shell awake the weary Nine
To grace so plain a tale-this lowly lay of mine.

II.

Whilome in Alblon's isle there dwelt a youth, Who ne in virtue's ways did take delight; But spent his days in riot most uncouth, And vex'd with mirth the drowsy ear of Night. Ah me! in sooth he was a shameless wight, Sore given to revel and ungodly glee; Few earthly things found favour in his sight Save concubines and carnal companie, And flaunting wassailers of high and low degree.

III.

Childe Harold was he hight:-but whence his
And lineage long, it suits me not to say; [name
Suffice it, that perchance they were of fame,
And had been glorious in another day:
But one sad losel soils a name for aye,
However mighty in the olden time;

Nor all that heralds rake from coffin'd clay,
Nor florid prose, nor honeyed lies of rhyme,
Can blazon evil deeds, or consecrate a crime.

IV.

Childe Harold bask'd him in the noontide sun,
Disporting there like any other fly;
Nor deem'd before his little day was done
One blast might chill him into misery.
But long ere scarce a third of his pass'd by,
Worse than adversity the Childe befell;
He felt the fulness of satiety :

Then loathed he in his native land to dwell, Which seem'd to him more lone than Eremite's

sad cell.

V.

For he through Sin's long labyrinth had run, Nor made atonement when he did amiss, Had sigh'd to many though he loved but one, And that loved one, alas! could ne'er be his. Ah, happy she! to 'scape from him whose kiss Had been pollution unto aught so chaste; Who soon had left her charms for vulgar bliss, And spoil'd her goodly lands to gild his waste, Nor calm domestic peace had ever deign'd to taste.

VI.

And now Childe Harold was sore sick at heart, And from his fellow bacchanals would flee; "T is said, at times the sullen tear would start, But Pride congeal'd the drop within his ee: Apart he stalk'd in joyless reverie, And from his native land resolved to go, And visit scorching climes beyond the sea; With pleasure drugg'd, he almost long'd for woe, And e'en for change of scene would seek the shades below.

VII.

The Childe departed from his father's hall:
It was a vast and venerable pile;
So old, it seemed only not to fall,
Yet strength was pillar'd in each massy aisle.
Monastic dome! condemn'd to uses vile!
Where Superstition once had made her den
Now Paphian girls were known to sing and
smile;
[agen,

And monks might deem their time was come If ancient tales say true, nor wrong these holy men.

VIII.

Yet oft-times in his maddest mirthful mood Strange pangs would flash along Childe Harold's As if the memory of some deadly feud [brow, Or disappointed passion lurk'd below: But this none knew, nor haply cared to know; For his was not that open, artless soul That feels relief by bidding sorrow flow, Nor sought he friend to counsel or condole, Whate'er this grief mote be, which he could not [control. And none did love him: though to hall and bower He gather'd revellers from far and near, He knew them flatt'rers of the festal hour; The heartless parasites of present cheer.

IX.

Yea! none did love him-not his lemans dearBut pomp and power alone are woman's care, And where these are light Eros finds a fecre; Maidens, like moths, are ever caught by glare, And Mammon wins his way where Seraphs might despair.

X.

Childe Harold had a mother-not forgot,
Though parting from that mother he did shun;
A sister whom he loved, but saw her not
Before his weary pilgrimage begun:

If friends he had, he bade adieu to none.

Yet deem not thence his breast a breast of steel: Ye, who have known what 't is to dote upon A few dear objects, will in sadness feel [heal. Such partings break the heart they fondly hope to

XI.

His house, his home, his heritage, his lands,
The laughing dames in whom he did delight,
Whose large blue eyes, fair locks, and snowy
hands,

Might shake the saintship of an anchorite,
And long had fed his youthful appetite;
His goblets brimm'd with every costly wine,
And all that mote to luxury invite,
Without a sigh he left, to cross the brine,
And traverse Paynim shores, and pass Earth's
central line.

XII.

The sails were fill'd, and fair the light winds blew, As glad to waft him from his native home; And fast the white rocks faded from his view, And soon were lost in circumambient foam: And then, it may be, of his wish to roam Repented he, but in his bosom slept The silent thought, nor from his lips did come One word of wail, whilst others sate and wept, And to the reckless gales unmanly moaning kept.

XIII.

But when the sun was sinking in the sea He seized his harp, which he at times could And strike, albeit with untaught melody, [string, When deem'd he no strange ear was listening: And now his fingers o'er it he did fling, And tuned his farewell in the dim twilight. While flew the vessel on her snowy wing, And fleeting shores receded from his sight, Thus to the elements he pour'd his last "Good Night."

1.

ADIEU, adieu! my native shore

Fades o'er the waters blue;

The night-winds sigh, the breakers roar,
And shrieks the wild sea-mew.
Yon sun that sets upon the sea
We follow in his flight;
Farewell awhile to him and thee,
My native Land-Good Night!

2.

A few short hours and he will rise
To give the morrow birth;
And I shall hail the main and skies,
But not my mother earth.
Deserted is my own good hall,

Its hearth is desolate;

Wild weeds are gathering on the wall; My dog howls at the gate.

3.

"Come hither, hither, my little page!
Why dost thou weep and wail?
Or dost thou dread the billows' rage,
Or tremble at the gale?

But dash the tear-drop from thine eye;
Our ship is swift and strong:

Our fleetest falcon scarce can fly
More merrily along."

4.

"Let winds be shrill, let waves roll high,

I fear not wave nor wind:

Yet marvel not, Sir Childe, that I

Am sorrowful in mind;

For I have from my father gone,

A mother whom I love,

And have no friend, save these alone,
But thee-and one above.

5.

"My father bless'd me fervently,
Yet did not much complain;
But sorely will my mother sigh
Till I come back again."-
"Enough, enough, my little lad!
Such tears become thine eye;
If I thy guileless bosom had,

Mine own would not be dry.
6.

"Come hither, hither, my staunch yeoman, Why dost thou look so pale?

Or dost thou dread a French foeman?
Or shiver at the gale?"-
"Deem'st thou I tremble for my life?
Sir Childe, I'm not so weak;
But thinking on an absent wife
Will blanch a faithful cheek.

7.

"My spouse and boys dwell near thy hall,
Along the bordering lake,
And when they on their father call,
What answer shall she make?"-
"Enough, enough, my yeoman good,
Thy grief let none gainsay;
But I, who am of lighter mood,
Will laugh to flee away."

8.

For who would trust the seeming sighs Of wife or paramour?

Fresh feeres will dry the bright blue eyes
We late saw streaming o'er.

For pleasures past I do not grieve,
Nor perils gathering near;
My greatest grief is that I leave
No thing that claims a tear.

9.

And now I'm in the world alone,
Upon the wide, wide sea:
But why should I for others groan,
When none will sigh for me?
Perchance my dog will whine in vain,
Till fed by stranger hands;
But long ere I come back again

He'd tear me where he stands.

10.

With thee, my bark, I'll swiftly go

Athwart the foaming brine;

Nor care what land thou bear'st me to,
So not again to mine.

Welcome, welcome, ye dark-blue waves!
And when you fail my sight,
Welcome, ye deserts and ye caves!

My native Land-Good Night!

XIV.

On, on the vessel flies, the land is gone, And winds are rude in Biscay's sleepless bay. Four days are sped, but with the fifth, anon, New shores descried make every bosom gay; And Cintra's mountain greets them on their way, And Tagus dashing onward to the deep, His fabled golden tribute bent to pay; And soon on board the Lusian pilots leap, And steer 'twixt fertile shores where yet few rustics reap.

XV..

Oh, Christ! it is a goodly sight to see

What Heaven hath done for this delicious land: What fruits of fragrance blush on every tree! What goodly prospects o'er the hills expand! But man would mar them with an impious hand: And when the Almighty lifts his fiercest scourge 'Gainst those who most transgress his high com

mand,

With treble vengeance will his hot shafts urge Gaul's locust host, and earth from fellest foemen purge.

XVI.

What beauties doth Lisboa first unfold!
Her image floating on that noble tide,
Which poets vainly pave with sands of gold,
But now whereon a thousand keels did ride
Of mighty strength, since Albion was allied,
And to the Lusians did her aid afford:
A nation swoln with ignorance and pride,
Who lick yet loathe the hand that waves the
sword
[lord.

To save them from the wrath of Gaul's unsparing

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