The Frontiers of Drama

achievement action actual Aeschylus Antony and Cleopatra artistic attempt audience catastrophe Chapter characters choric chorus clearly coherence comedy conclusion conflict convey dialogue disjunction dramatic form dramatists earlier effect Elizabethan Ellis-Fermor emotion Emperor and Galilean epic material episodes equilibrium essential Euripides event evil expression figure function of imagery Greek Henry Henry Arthur Jones Ibsen illuminates imagination immediacy implications implicit impression indicate individual interpretation Jacobean kind king later Lear less limitations of drama M. C. Bradbrook man's Marlowe modern mood nature Oresteia passage passion perhaps phase play playwright poetic drama positive present problem prosody psychological reflection relation religious drama religious experience revealed Richard II Samson Agonistes Samson's mind Satanic scene Shakespeare's significance soliloquy Sophocles speech spirit strict Strindberg suggested technique theatre theme Thersites tion tragedy tragic balance transcend Troilus and Cressida Ulysses underlying universe unspoken thought verse vision