Analytic Elocution Containing Studies, Theoretical and Practical, of Expressive SpeechVan Antwerp, Bragg & Company, 1884 - 504 oldal |
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vii. oldal
... Measure of Speech XXXII .-- Accent XXXIII . - Emphasis Examples , classified . XXXIV . - Interjections and Exclamatory Sentences • 420 · 376 378 • 396 399 · 414 SELECTIONS . Eulogy on Wendell Phillips · PAGE Geo . Contents . vii.
... Measure of Speech XXXII .-- Accent XXXIII . - Emphasis Examples , classified . XXXIV . - Interjections and Exclamatory Sentences • 420 · 376 378 • 396 399 · 414 SELECTIONS . Eulogy on Wendell Phillips · PAGE Geo . Contents . vii.
120. oldal
... emphasis does not demand it . On the other hand , if the former word ends with a subtonic or atonic , and the next begins with a tonic , the sound of the former is simply held upon the organs with- out renewed exertion of the latter ...
... emphasis does not demand it . On the other hand , if the former word ends with a subtonic or atonic , and the next begins with a tonic , the sound of the former is simply held upon the organs with- out renewed exertion of the latter ...
122. oldal
... emphasis may demand the forcible disjunction of the verbal constit- uents of a phrase or sentence . 66 In all forms of utterance , however , there must be some implication arising from the natural grouping " of words between the pauses ...
... emphasis may demand the forcible disjunction of the verbal constit- uents of a phrase or sentence . 66 In all forms of utterance , however , there must be some implication arising from the natural grouping " of words between the pauses ...
191. oldal
... the concrete , and marks the most powerful forms of emphasis ; it can only be produced by the speaker placing himself in sympathy with the emotion of which it is the exponent ; it is Exercises in Thorough Stress . 191.
... the concrete , and marks the most powerful forms of emphasis ; it can only be produced by the speaker placing himself in sympathy with the emotion of which it is the exponent ; it is Exercises in Thorough Stress . 191.
201. oldal
... emphasis , or by drifts of those signs . Many of the expressive vocal elements may be so fre- quently employed as to produce a current style or drift of utterance , but a few are of so striking or vivid a character , and mark such ...
... emphasis , or by drifts of those signs . Many of the expressive vocal elements may be so fre- quently employed as to produce a current style or drift of utterance , but a few are of so striking or vivid a character , and mark such ...
Más kiadások - Összes megtekintése
Analytic Elocution: Containing Studies, Theoretical and Practical, of ... James Edward Murdoch Nincs elérhető előnézet - 2016 |
Gyakori szavak és kifejezések
abrupt accent action articulation aspiration ATONIC ELEMENTS beauty breath cadence called character constituents crete degree diaphragm diatonic melody dipthongal discrete distinct downward effect emotion emphasis emphatic employed equable example exercise explosion expression extended falsetto fifth final stress force forcible give given glottis hath heard heart heaven human voice illustrate indefinite syllables interrogative intonation Julius Cæsar King language larynx lips Lord lungs marked measure median stress ment mind moderate monotone mouth movement muscles notation octave open vowel opening organs orotund passion pause peculiar phatic phrases position practice preceding produced quantity radical and vanish radical pitch radical stress rapid rising and falling rising concrete semitone sense sentence SHAKESPEARE song speaking speech student subtonic Table thee third thou thought tion tone tongue tonic elements tonic sounds tremor tritone unaccented utterance vocal vocule voice vowel whisper wider intervals words
Népszerű szakaszok
135. oldal - There, held in holy passion still, Forget thyself to marble, till With a sad leaden downward cast Thou fix them on the earth as fast. And join with thee calm Peace, and Quiet, Spare Fast, that oft with gods doth diet...
476. oldal - You have the Pyrrhic dance as yet, Where is the Pyrrhic phalanx gone? Of two such lessons, why forget The nobler and the manlier one?
341. oldal - Let me play the fool : With mirth and laughter let old wrinkles come, . And let my liver rather heat with wine Than my heart cool with mortifying groans. Why should a man, whose blood is warm within, Sit like his grandsire cut in alabaster...
296. oldal - O gentle sleep, Nature's soft nurse, how have I frighted thee, That thou no more wilt weigh my eyelids down, And steep my senses in forgetfulness...
464. oldal - It shall blossom abundantly, and rejoice even with joy and singing: The glory of Lebanon shall be given unto it, the excellency of Carmel and Sharon ; ^ They shall see the glory of the LORD, and the excellency of our God.
358. oldal - THE cock is crowing, The stream is flowing, The small birds twitter, The lake doth glitter, The green field sleeps in the sun ; The oldest and youngest Are at work with the strongest ; The cattle are grazing, Their heads never raising ; There are forty feeding like one ! Like an army defeated The Snow hath retreated, And now doth fare ill On the top of the bare hill...
295. oldal - Then sing, ye Birds, sing, sing a joyous song! And let the young Lambs bound As to the tabor's sound! We in thought will join your throng, Ye that pipe and ye that play, Ye that through your hearts today Feel the gladness of the May!
461. oldal - ... and bring hither the fatted calf, and kill it; and let us eat, and be merry: for this my son was dead, and is alive again; he was lost, and is found.
463. oldal - Hast thou given the horse strength ? Hast thou clothed his neck with thunder ? Canst thou make him afraid as a grasshopper ? The glory of his nostrils is terrible. He paweth in the valley, and rejoiceth in his strength : He goeth on to meet the armed men. He mocketh at fear, and is not affrighted ; Neither turneth he back from the sword.
163. oldal - The clear conception, outrunning the deductions of logic, the high purpose, the firm resolve, the dauntless spirit, speaking on the tongue, beaming from the eye, informing every feature, and urging the whole man onward, right onward to his object — this, this is eloquence; or rather it is something greater and higher than all eloquence, it is action, noble, sublime, godlike action/ In July 1776, the controversy had passed the stage of argument.