With the splendors of thy smile; I am dying, Egypt, dying; Shall my heart exulting swell, -WM. H. LYTLE. THOMAS BUCHANAN READ. The following poem was suggested by a visit to the tomb of Mr. Read at Laurel Hill, Philadelphia. I STAND within a garden, where the fairest flowers bloom, I mourn for one whose mind was like a many-sided gem A friend, whose kindly influence was like the golden light, A poet, gifted to evoke weird music from his lyre; To fill the hearts of listening throngs with patriotic fire; A poet-artist, by whose touch, as on a mirror thrown, SONG FROM "THE WILD Wagoner of the AlleghANIES." I. WHERE sweeps round the mountains The cloud on the gale, And streams from their fountains Leap into the vale, Like frighted deer leap when The storm with his pack Kides over the steep in The wild torrent's track,- In stairways of rocks. In freedom we sing, And laugh at King George, where II. I mount the wild horse with No saddle or rein, And guide his swift course with Through paths steep and narrow, And scorning the crag, I chase with my arrow And face the gaunt wolf when He snarls in his lair, And watch through the gorge there The red panther spring, And laugh at King George, where III. When April is sounding Her garners with sheaves,- Is mantled with white,- And laugh at King George, where The eagle is king. -T. BUCHANAN READ. DYING IN HARNESS. ONLY a fallen horse, stretched out there on the road, Hold! for his toil is over-no more labor for him; See the poor neck outstretched, and the patient eyes grow dim ; See on the friendly stones how peacefully rests the head-Thinking, if dumb beasts think, how good it is to be dead; After the weary journey, how restful it is to lie With the broken shafts and the cruel load—waiting only to die. Watchers, he died in harness-died in the shafts and straps- A toiler dying in harness, heedless of call or goad. Passers, crowding the pathway, staying your steps awhile, What is the symbol? Only death—why should we cease to smile What was the sign? A symbol to touch the tireless will? -JOHN BOYLE O'REILLY. MARY OF CASTLE CARY. SAW ye my wee thing? saw ye my ain thing? "Her hair it is lint-white; her skin it is milk-white; Red, red her ripe lips, and sweeter than roses; “I sawna your wee thing; I sawna your ain thing; "Her hair it was lint-white; her skin it was milk-white; Red were her ripe lips, and sweeter than roses: "It wasna my wee thing; it wasna mine ain thing; "Her name it is Mary; she's frae Castle Cary, "It was then your Mary; she's frae Castle Cary; Sair gloomed his dark brow; blood red his cheek grew; Wild flashed the fire frae his red-rolling ee! "Ye's rue sair this morning your boasting and scorning, Defend ye, fause traitor, fu' loudly ye lie!" "Awa wi' beguiling," cried the youth smiling; The belted plaid fa'ing, her white bosom sha'ing, “Is it my wee thing? is it mine ain thing? Is it my true-love here that I see?" "O, Jamie, forgie me! your heart's constant to me— I'll never mair wander, dear laddie, frae thee." -HECTOR MACNEIL. THE SPINNING-WHEEL SONG MELLOW the moonlight to shine is beginning; 'Tis the ivy, dear mother, against the glass flapping." "Eileen, I surely hear somebody sighing." "Tis the sound, mother dear, of the summer wind dying." Merrily, cheerily, noisily whirring, Swings the wheel, spins the reel, while the foot's stirring; Sprightly, and lightly, and airily ringing, Thrills the sweet voice of the young maiden singing. |