report of envy or party-spirit; for he was a great loyalist. It is probable, however, that he excelled less as a partizan than as a poet and a man of fashion. He is said to have given a supper to the ladies of his acquaintance, the last course of which consisted of millinery and trinkets. The great Nelson's mother was a Suckling of the same stock, in Norfolk.

Steele, in the Tatler (No. 40), not undeservedly quotes a passage from Suckling, side by side with one about Eve from Milton. It is in his tragedy of Brennoralt, where a lover is looking on his sleeping mistress:

"Her face is like the milky way i' the sky,

A meeting of gentle lights without a name.'

Feelings like these enabled his fair friends to put up with such pleasant contradictions to sentiment as the following :—

THE CONSTANT LOVER.

Out upon it, I have lov'd

Three whole days together;

And am like to love three more,
If it prove fair weather.

Time shall moult away his wings,

Ere he shall discover

In the whole wide world again

Such a constant lover.

L

But the spite on 't is, no praise
Is due at all to me;

Love with me had made no stays,

Had it any been but she.

Had it any been but she,

And that very face,

There had been at least ere this
A dozen in her place.1

1 “A dozen in her place."-This song is the perfection of easy, witty, light yet substantial writing. There is no straining after thoughts or images, and not a word out of its place, or more words than there ought to be, unless we except the concluding verse of the third stanza; and this seems to overrun its bounds with a special propriety,-besides the grace of its repetition in the stanza following. Here follows another short piece, which can also be given entire. The last line has a vivacity and novelty delightfully unexpected; but I am afraid it was suggested by a similar turn in one of our old dramatists, though I cannot recollect which.

THE REMONSTRANCE.

Why so pale and wan, fond lover?

Prythee, why so pale?

Will, when looking well can't move her,

Looking ill prevail?

Prythee, why so pale?

Why so dull and mute, young sinner?
Prythee, why so mute?

Will, when speaking well can't win her,
Saying nothing do 't?

Prythee, why so mute?

Quit, quit for shame! this will not move,

This cannot take her ;

If of herself she will not love,

Nothing can make her.

The Devil take her.

Suckling was the first writer (in English) of those critical Sessions, or gatherings together of the poets for the adjustment of their claims to superiority, which gave rise to similar pleasantries on the part of Rochester, Sheffield, and others. Sir John's Sessions of the Poets seems to have been poured forth at a sitting, as heartily as his bottle. It has all the negligence, but at the same time spirit, of a first impulsive sketch; and perhaps it might have been hurt by correction; though such a verse as the second in the fifth stanza

could hardly have been intended to remain. The whole poem is here given almost verbatim.

A SESSION OF THE POETS.1

A session was held the other day,
And Apollo himself was at it, they say.
The Laurel, that had been so long reserv'd,
Was now to be given to him best deserv'd:

And therefore the wits of the town came thither,
'T was strange to see how they flock'd together;
Each, strongly confident of his own way,
Thought to bear the laurel away that day.

There was Selden, and he sat close by the chair;
Wenman not far off, which was very fair,

Sands with Townsend, for they kept no order,

Digby and Chillingworth a little further.

There was Lucan's translator too, and he

That makes God speak so big in his poetry ;*
Selwin, and Waller, and Bartlets, both the brothers;

Jack Vaughan and Porter, and divers others.

The first that broke silence was good old Ben,

Prepar'd with Canary wine;

And he told them plainly he deserv'd the bays,

For his were call'd "Works," where others were but Plays:2

And bid them remember how he had purg'd the stage

Of errors that had lasted many an age;

*Who was this?

And he hop'd they didn't think the Silent Woman,
The Fox and the Alchymist, out-done by no man.

Apollo stopt him there, and bid him not go on;
'Twas merit, he said, and not presumption
Must carry it; at which Ben turn'd about,
And in great choler offered to go out.

But those that were there, thought it not fit
To discontent so ancient a wit;
And therefore Apollo call'd him back again,
And made him mine host of his own New Inn.

Tom Carew* was next, but he had a fault
That would n't well stand with a Laureat;

His muse was so slow, that the issue of his brain
Was seldom brought forth but with trouble and pain;

And all that were present there did agree

A Laureat muse should be easy and free.

Yet sure 't wasn't that; but 't was thought that his grace Consider'd he was well he had a cup-bearer's place.3

Will Davenant, asham'd of a foolish mischance
That he had got lately travelling in France,
Modestly hoped the handsomeness of 's muse
Might any deformity about him excuse.

And surely the company would have been content
If they could have found any precedent;
But in all their records, either in verse or prose,
There was not one Laureat without a nose.

*Pronounced Carey.