The Artistry of Shakespeare's ProseRoutledge, 2013. szept. 13. - 464 oldal First published in 1968. This re-issues the revised edition of 1979. The Artistry of Shakespeare's Prose is the first detailed study of the use of prose in the plays. It begins by defining the different dramatic and emotional functions which Shakespeare gave to prose and verse, and proceeds to analyse the recurrent stylistic devices used in his prose. The general and particular application of prose is then studied through all the plays, in roughly chronological order. |
Részletek a könyvből
1 - 5 találat összesen 37 találatból.
21. oldal
... metaphors, is incidentally useful for prosecharacters.7 She documents correctly a point which was to have been expected, that in Shakespeare's plays unpleasant animal images are used if a character is being attacked, favourable 21 A ...
... metaphors, is incidentally useful for prosecharacters.7 She documents correctly a point which was to have been expected, that in Shakespeare's plays unpleasant animal images are used if a character is being attacked, favourable 21 A ...
23. oldal
... metaphorical, culminating in the inevitable 'Netherlands' – it is like a grotesque parody of those favourite Elizabethan romantic images based on parts of the body (as here II, ii, 115 ff., V, i, 311–16). In The Taming of the Shrew ...
... metaphorical, culminating in the inevitable 'Netherlands' – it is like a grotesque parody of those favourite Elizabethan romantic images based on parts of the body (as here II, ii, 115 ff., V, i, 311–16). In The Taming of the Shrew ...
25. oldal
... metaphorical-cum-proverbial expression which is put in a con- text where it applies literally: so he says of Crab that he 'has no more pity in him than adog' (II, iii, 9), and again: 'I have taught him, even as one would say precisely ...
... metaphorical-cum-proverbial expression which is put in a con- text where it applies literally: so he says of Crab that he 'has no more pity in him than adog' (II, iii, 9), and again: 'I have taught him, even as one would say precisely ...
26. oldal
... metaphor come true. In the two early History plays which use prose it is applied to the recording of semi ... metaphorical trap already laid for him – HOLLAND [Aside], Then we are like to have biting statutes, unless his teeth be pulled ...
... metaphor come true. In the two early History plays which use prose it is applied to the recording of semi ... metaphorical trap already laid for him – HOLLAND [Aside], Then we are like to have biting statutes, unless his teeth be pulled ...
27. oldal
... metaphor in prose seems the more obvious because the surrounding texture lacks the resonance of verse: we see behind the curtain, and can watch the speaker manipulating the image, and his audience, so that we feel that his 'forensic ...
... metaphor in prose seems the more obvious because the surrounding texture lacks the resonance of verse: we see behind the curtain, and can watch the speaker manipulating the image, and his audience, so that we feel that his 'forensic ...
Tartalomjegyzék
1 | |
19 | |
3 From Clown to Character | 52 |
4 The World of Falstaff | 89 |
5 Gay Comedy | 171 |
6 Two Tragic Heroes | 240 |
7 Serious Comedy | 272 |
Clowns Villains Madmen | 331 |
9 The Return of Comedy | 405 |
Conclusion | 429 |
Notes | 432 |
Index | 449 |
Más kiadások - Összes megtekintése
Gyakori szavak és kifejezések
abuse action anaphora antimetabole Apemantus applied argument Armado attitude Autolycus bawdy Beatrice begins Benedick Bertram Cassio character Claudio clauses clown comedy comic contrast Coriolanus Cressida deflating detail device disguise Dogberry dramatic Duke effect Elizabethan emotional epistrophe equivocation Euphuism Falstaff figure final fool give given Gobbo grotesque Hal's Hamlet hath humour Iago Iago's imagery images ironic King lady Lafeu language Launce Lear logic lord Love's Labour's Lost Lucio ludicrous madness malapropism Malvolio meaning metaphor Mistress mock mockery mood nature Olivia Othello Pandarus parallel Parolles pattern piece play plot Polonius Pompey Prince puns repartee repetition rhetorical structure Roderigo Romance Rosalind scene seems seen serious servant Shake Shakespeare Shylock significant situation soliloquy speak specious speech stage style stylistic syllogism symmetries syntax thee Thersites thou Timon Toby Touchstone tragedy trap Troilus Troilus and Cressida Twelfth Night verse whole witty words