Spanish Studies in Shakespeare and His Contemporaries
Jose Manuel Gonzalez, Josc) Manuel Gonzc!lez De Sevilla
University of Delaware Press, 2006 - 327 oldal
Spanish Studies in Shakespeare and His Contemporaries offers aselection of the most significant studies on Shakespeare and hiscontemporaries from a variety of perspectives in order to present a freshand inclusive vision of Shakespearean criticism in Spain to reach aworldwide readership. Plurality, maturity, and diversity are itsoutstanding characteristics as the transition has given shape to newcritical attitudes, readings, and approaches in the analysis and study ofShakespeare in the new Spain.
Mit mondanak mások - Írjon ismertetőt
Nem találtunk ismertetőket a szokott helyeken.
Shakespeare and Cervantes
The Poetry of Shakespeare and His Contemporaries
Outlining Possibilities Sometimes Humorous for Sonnet 18
Shakespeares Departure from the Ovidian Myth of Venus and Adonis
A Study of Antony and Cleopatra
Person and Persona
Julius Caesar and the Spanish Transition
The Theater of Shakespeares Contemporaries
The Philosophy of Death in Christopher Marlowes Dr Faustus
Gender Marking through Syntactic Distribution in the Jacobean Theater
The Court Drama of Ben Jonson and Calderon
Spanish Adaptations of Ben Jonsons Volpone
John Donne Francisco de Quevedo and the Construction of Subjectivity in Early Modern Poetry
Shakespeare Plays Critical Interpretations and Stage Productions
Otelo in Romantic Spain
Shakespeares Romeo and Juliet and Male Melodrama
Some Differences in Literary Convention and Cultural Horizon
Notes on Contributors
Más kiadások - Összes megtekintése
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63. oldal - And summer's lease hath all too short a date: Sometime too hot the eye of heaven shines, And often is his gold complexion...
62. oldal - Shall I compare thee to a summer's day? Thou art more lovely and more temperate: Rough winds do shake the darling buds of May, And summer's lease hath all too short a date...
32. oldal - tis a common proof, That lowliness is young ambition's ladder, Whereto the climber-upward turns his face; But when he once attains the upmost round, He then unto the ladder turns his back, Looks in the clouds, scorning the base degrees By which he did ascend.
233. oldal - I rejoice, not that ye were made sorry, but that ye sorrowed to repentance: for ye were made sorry after a godly manner, that ye might receive damage by us in nothing. For godly sorrow worketh repentance to salvation not to be repented of : but the sorrow of the world worketh death.
71. oldal - The frontiers of a book are never clear-cut: beyond the title, the first lines, and the last full stop, beyond its internal configuration and its autonomous form, it is caught up in a system of references to other books, other texts, other sentences: it is a node within a network.
160. oldal - Death, that hath suck'd the honey of thy breath, Hath had no power yet upon thy beauty. Thou art not conquer'd; beauty's ensign yet Is crimson in thy lips and in thy cheeks, And death's pale flag is not advanced there.
247. oldal - Oliver Anchovy's perfumed jerkin. Promise of matrimony by a young gallant, to bring a virgin lady into a fool's paradise, make her a great woman, and then cast her off - 'tis as common...
141. oldal - O, beware, my lord, of jealousy ; It is the green-eyed monster, which doth mock The meat it feeds on...
130. oldal - ... the darker races are physically attracted by the fairer, but not vice versa — not a matter for bitterness this, not a matter for abuse, but just a fact which any scientific observer will confirm. "Even when the lady is so uglier than the gentleman?