by T. A. Daly; two selections, "Landscapes" and "Caliban in the Coal Mines," from Louis Untermeyer's book entitled "Challenge." Harper & Brothers for permitting the reprinting of "Out of the Old House, Nancy" from "Farm Ballads" by Will Carleton; one selection from the poetry of Guy Wetmore Carryl; for "Elaine" and "Lament" from "Second April," copyright 1921, and "Afternoon on a Hill" from "Renascence," copyright 1917, by Edna St. Vincent Millay.

Harr Wagner Publishing Co. for five poems from the work of Joaquin Miller. (Publishers of the Complete Works of Joaquin Miller.)

Henry Holt & Company for the use of "The Factories" from the volume "Factories" and "Remembrance: Greek Folk-Song" by Margaret Widdemer; Lew Sarett's "Leave Me To My Own" from "Box of God"; an extract from "Death-Chant of the Centaurs" included in the volume "Heavens and Earth" by Stephen Vincent Benét; "After Apple-Picking," "The Road Not Taken," and "Birches," selected from the poems of Robert Frost; Carl Sandburg's "Chicago," "At A Window," and "Joy." Houghton Mifflin Company for permission to reprint one selection from the work of William Dean Howells; "Tears of the Poplars" and "The Quiet Pilgrim" by Edith M. Thomas; two poems by Richard Watson Gilder; "The Monk in the Kitchen" and "Grieve Not, Ladies" by Anna Hempstead Branch; "Robinson Crusoe's Story" written by Charles Edward Carryl; "Tryste Noël” and “Of Joan's Youth" by Louise Imogen Guiney; by William Vaughn Moody: "In New York" and "At Assisi" from "Song-Flower and Poppy," and "Heart's Wild-Flower"; "Anticipation" and “A Gift" by Amy Lowell; Grace Fallow Norton's "O Sleep"; poems from the volume "Preludes and Symphonies" by John Gould Fletcher; "Jim Bludso" written by John Hay: "Waiting" by John Burroughs; Edmund Clarence Stedman's "Pan in Wall Street"; "Heredity" by Thomas Bailey Aldrich; "The Singing Man" written by Josephine Preston Peabody; Edward Rowland Sill's "The Fool's Prayer"; "To a Rose" by Frank Dempster Sherman; "Radiant Loss" and "Debt" written by Jessie Rittenhouse.

B. W. Huebsch for the use of "Sinfonia Domestica" by Jean Starr Untermeyer; a selection from "The Ghetto" by Lola Ridge.

Mitchell Kennerley for the right to include "To A Tawny Thrush" and "At the Aquarium" by Max Eastman; Arthur Davison Ficke's poems, "To an Old Friend," from "Sonnets of a Portrait-Painter," and "The Three Sis

ters"; "Be in Me as the Eternal Moods" and "Piccadilly" by Ezra Pound. Alfred A. Knopf for the reprint of "Dirge" and "The Lonely Death" from the writings of Adelaide Crapsey; "The Mystic" from "Grenstone Poems" and an extract from "The New World" which he published for Witter Bynner; selected poems from the work of James Oppenheim; "Old Manuscript" from Alfred Kreymborg's volume "Mushroom"; Ezra Pound's "Ortus" and "The Ballad of the Goodly Fere"; "Completion" and "Parting After A Quarrel" from "Body and Raiment" by Eunice Tietjens.

Little, Brown & Co. for selections from the poetry of Emily Dickinson; "Poppies in the Wheat" and "Habeas Corpus" by Helen Hunt Jackson; three poems by Louise Chandler Moulton.

The Macmillan Company for permission to reproduce from "The Congo" by Nicholas Vachel Lindsay, also "General William Booth Enters into Heaven," "The Eagle That Is Forgotten," and "The Flower of Mending"; "April Theology" from "The Quest" by John G. Neihardt; Louis V. Ledoux's "Hymn to Demeter," taken from "The Story of Eleusis"; "Before Dawn in the Woods" from "Bluestone" by Marguerite Wilkinson; three selected poems from the work of Sara Teasdale: "The Flight" and "The Debt" from "Love Songs," as well as "The Answer" from "Rivers to the Sea"; Padraic Colum's "RiverMates" and "The Sea Bird to the Wave" from "Wild Earth"; six selected poems from the "New Spoon River Anthology" by Edgar Lee Masters; Charles L. O'Donnell's "Forgiveness" and "The Poet's Bread"; "The SkyGoer" and "North Star" by Zona Gale.

Moffat, Yard & Co. for the use of "Song" by Haniel Long, taken from his volume entitled "Poems."

Thomas B. Mosher for his permission to use "Evoe" from the volume "The Flower from the Ashes" by Edith M. Thomas; three poems selected from the work of Lizette Woodworth Reese; "Sometimes" and "From the Hills" by Thomas S. Jones, Jr.

The New York Evening Sun for permission to include "Old Garrets" and "The Puddle" by Moris Abel Beer.

Oxford University Press and to Mr. Houston Mifflin for permission to include three selected poems by Lloyd Mifflin.

Poetry (Chicago) for permission to use "Sweetgrass Range" written by Edwin Ford Piper.

G. P. Putnam's Sons for "The Four Winds" taken from
Sara Teasdale's volume entitled "Helen of Troy."
Grant Richards, Ltd. (London), for granting permission to

reprint selections from "The Interpretations" written by Zoë Akins. Charles Scribner's Sons for reprint in this volume of "Luke Havergal," "Miniver Cheevy," and "The Master," by Edwin Arlington Robinson; an extract from "The Divine Phantasy" published by them for John Hall Wheelock; three Sidney Lanier poems: "The Marshes of Glynn,' "The Song of the Chattahoochee," and "Evening Song' Eugene Field's "The Lyttel Boy," "Wynken, Blynken and Nod," and "Little Boy Blue”; “An Angler's Wish" by Henry van Dyke; two selected poems by Henry Cuyler Bunner: "Behold the Deeds" and "A Pitcher of Mignonette"; "I Have a Rendezvous With Death" by Alan Seeger; "Geese" and "The Mon-Goos" from "Child's Natural History" written by Oliver Herford. Thomas Seltzer for permission to reprint "Candle Light" and "To a Certain Lady" by John Cowper Powys. Small, Maynard & Company for the use of several selections from the poems of John Banister Tabb; "The RainCrow" written by Madison Cawein.

Acknowledgments are also due to these authors who have kindly allowed their work to be included:

Morris Abel Beer, “Old Garrets" and "The Puddle."
Wm. Rose Benét, "The Falconer of God."

Maxwell Bodenheim, "Old Jew," "To a Friend," "Advice to a Buttercup."

Alice Brown, "Cloistered" and "West-Country Lover."
Gelett Burgess, "Purple Cow."

Richard Burton, "City of the Dead."

Willa Sibert Cather, "The Palatine."
Robert W. Chambers, "The Recruit."
Arthur Colton, "To Faustine."

Padraic Colum, "River-Mates" and "The Sea Bird to the
Wave" from "Wild Earth."

Olive Tilford Dargan, four selections from "The Cycle's Rim."

Mary Carolyn Davies, "The Day Before April" and "Cloistered."

Maurice Francis Egan, "Maurice de Guérin."

Theodosia Garrison, "Stains."

Hermann Hagedorn, "Departure."

Maurice Hanline, "A Song of Pierrot."

Robert Underwood Johnson, "The Wistful Days."

Harry Kemp, "Prithee, Strive Not" and "The Conquerors." Louis V. Ledoux, "Hymn to Demeter" from "The Story of Eleusis."

.

Nicholas Vachel Lindsay, selections from "The Congo" and other poems.

Percy Mackaye, "The Automobile" and "France."

Edwin Markham, “The Man with the Hoe,” “Lincoln, the
Man of the People," and "A Look into the Gulf.'
Edgar Lee Masters, selections from "New Spoon River An-
thology" and other poems.

Ada Foster Murray, "The Shadowed Star," "Her Dwelling
Place," "The One Who Stayed," and "When You Came."
John G. Neihardt, "April Theology" from "The Quest."
Rose O'Neill, "Faun-Taken" and "Love-Ending.'

Walter Adolphe Roberts, "Villanelle of the Living Pan."
George Santayana, "As in the Midst of Battle" and "What
Riches Have You?"

Clinton Scollard, "As I Came Down from Lebanon."

Vincent Starrett, "Dancer" and "Villon Strolls at Midnight." George Sterling, "Omnia Exeunt in Mysterium," "The Black Vulture,” and “A Legend of the Dove."

Arthur Stringer, "You Bid Me to Sleep."

Sara Teasdale, one poem from "Helen of Troy," two from "Love Songs," and one from "Rivers to the Sea."

Ridgely Torrence, "The Singers in a Cloud" and "Evensong."

Charles Hanson Towne, "Baboon" and "Of One Self-Slain." George Sylvester Viereck, "The Candle and the Flame.” John Hall Wheelock, "Pitiless Beauty."

George E. Woodberry, "At Gibraltar."

And to

Louis Loveman for kind permission to use "April Rain" by his brother, the late Robert Loveman.