Ay, faithful to Little Boy Blue they stand,
Each in the same old place,
Awaiting the touch of a little hand,
The smile of a little face;
And they wonder, as waiting the long years through
In the dust of that little chair,
What has become of our Little Boy Blue,
Since he kissed them and put them there.
Some time there ben a lyttel boy
That wolde not renne and play,
And helpless like that little tyke
Ben allwais in the way.
"Goe, make you merrie with the rest,"
His weary moder cried;
But with a frown he catcht her gown
And hong untill her side.
That boy did love his moder well,
Which spake him faire I ween;
He loved to stand and hold her hand
And ken her with his een;
His cosset bleated in the croft,
His toys unheeded lay,-
He wolde not goe, but, tarrying soe,
Ben allwais in the way.
Godde loveth children and doth gird
His throne with soche as these,
And he doth smile in plaisaunce while
They cluster at his knees;
And some time, when he looked on earth
And watched the bairns at play,
He kenned with joy a lyttel boy
Ben allwais in the way.
And then a moder felt her heart
How that it ben to-torne,
She kissed eche day til she ben gray
The shoon he use to worn;
No bairn let hold untill her gown
Nor played upon the floore,-
Godde's was the joy; a lyttel boy
Ben in the way no more!
GEORGE PARSONS LATHROP (1851-1898)
Under the apple bough
Love, in a dream of leaves,
Dreamed we of love, as now,-
All that gives beauty or grieves.
Over the sad world then
Curved like the sky that bough;
I was in heaven then,
You are in heaven now.
[Written after seeing Millet's world-famous picture of a brutalized toiler. Copyright, 1922, by Edwin Markham. Used by permission.]
God made man in his own image
in the image of God made He him.
Bowed by the weight of centuries he leans
Upon his hoe and gazes on the ground,
The emptiness of ages in his face,
And on his back the burden of the world.
Who made him dead to rapture and despair,
A thing that grieves not and that never hopes,
Stolid and stunned, a brother to the ox?
Who loosened and let down this brutal jaw?
Whose was the hand that slanted back this brow?
Whose breath blew out the light within this brain?
Is this the Thing the Lord God made and gave
To have dominion over sea and land;
To trace the stars and search the heavens for power;
To feel the passion of Eternity?
Is this the Dream He dreamed who shaped the suns
And marked their ways upon the ancient deep?
Down all the caverns of Hell to their last gulf
There is no shape more terrible than this
More tongued with censure of the world's blind greed--
More filled with signs and portents for the soul-
More packt with danger to the universe.
What gulfs between him and the seraphim!
Slave of the wheel of labor, what to him
Are Plato and the swing of Pleiades?
What the long reaches of the peaks of song,
The rift of dawn, the reddening of the rose?
Through this dread shape the suffering ages look;
Time's tragedy is in that aching stoop;
Through this dread shape humanity betrayed,
Plundered, profaned, and disinherited,
Cries protest to the Judges of the World,
A protest that is also prophecy.
O masters, lords, and rulers in all lands,
Is this the handiwork you give to God,
This monstrous thing distorted and soul-quenched?
How will you ever straighten up this shape;
Touch it again with immortality;
Give back the upward looking and the light;
Rebuild in it the music and the dream;
Make right the immemorial infamies,
Perfidious wrongs, immedicable woes?
O masters, lords, and rulers in all lands,
How will the Future reckon with this Man?
How answer his brute question in that hour
When whirlwinds of rebellion shake all shores?
How will it be with kingdoms and with kings-
With those who shaped him to the thing he is—
When this dumb Terror shall rise to judge the world,
After the silence of the centuries?
Lincoln, the Man of the People
When the Norn Mother saw the Whirlwind Hour
Greatening and darkening as it hurried on,
She left the Heaven of Heroes and came down
To make a man to meet the mortal need.
She took the tried clay of the common road—
Clay warm yet with the genial heat of Earth
Dasht through it all a strain of prophecy;
Tempered the heap with thrill of human tears;
Then mixt a laughter with the serious stuff.
Into the shape she breathed a flame to light
That tender, tragic, ever-changing face;
And laid on him a sense of the Mystic Powers,
Moving-all husht-behind the mortal veil.
Here was a man to hold against the world,
A man to match the mountains and the sea,
The color of the ground was in him, the red earth;
The smack and tang of elemental things:
The rectitude and patience of the cliff;
The good-will of the rain that loves all leaves;
The friendly welcome of the wayside well;
The courage of the bird that dares the sea;
The gladness of the wind that shakes the corn;
The pity of the snow that hides all scars;
The secrecy of streams that make their way
Under the mountain to the rifted rock;
The tolerance and equity of light
That gives as freely to the shrinking flower
As to the great oak flaring at the wind-
To the grave's low hill as to the matterhorn
That shoulders out the sky.
He drank the valorous youth of a new world.
The strength of virgin forests braced his mind,
The hush of spacious prairies stilled his soul.
His words were oaks in acorns; and his thoughts
Were roots that firmly gript the granite truth.
Up from log cabin to the Capitol,
One fire was on his spirit, one resolve-
To send the keen ax to the root of wrong,
Clearing a free way for the feet of God,
He built the rail-pile as he built the State,
Pouring his splendid strength through every blow:
The eyes of conscience testing every stroke,
To make his deed the measure of a man.
The grip that swung the ax in Illinois
Was on the pen that set a people free.
So came the Captain with the mighty heart;
And when the judgment thunders split the house,
Wrenching the rafters from their ancient rest,
He held the ridgepole up, and spiked again
The rafters of the Home. He held his place—
Held the long purpose like a growing tree-
Held on through blame and faltered not at praise.
And when he fell in whirlwind, he went down
As when a lordly cedar, green with boughs,
Goes down with a great shout upon the hills,
And leaves a lonesome place against the sky.
I looked one night, and there Semiramis,
With all her morning doves about her head,
Sat rocking on an ancient road of Hell,
Withered and eyeless, chanting to the moon
Snatches of song they sang to her of old
Upon the lighted roofs of Nineveh.
And then her voice rang out with rattling laugh:
"The bugles! they are crying back again-
Bugles that broke the nights of Babylon,
And then went crying on through Nineveh.
Stand back, ye trembling messengers of ill!
Women, let go my hair: I am the Queen,
A whirlwind and a blaze of swords to quell
Insurgent cities. Let the iron tread
Of armies shake the earth. Look, lofty towers:
Assyria goes by upon the wind!"
And so she babbles by the ancient road,
While cities turned to dust upon the Earth
Rise through her whirling brain to live again-
Babbles all night, and when her voice is dead
Her weary lips beat on without a sound.
MAURICE FRANCIS EGAN (1852-1924)
The old wine filled him, and he saw, with eyes
Anoint of Nature, fauns and dryads fair
Unseen by others; to him maidenhair
And waxen lilacs, and those birds that rise
A-sudden from tall reeds at slight surprise.
Brought charmëd thoughts; and in earth everywhere
He, like sad Jacques, found a music rare
As that of Syrinx to old Grecians wise.
A pagan heart, a Christian soul had he,
He followed Christ, yet for dead Pan he sighed,
Till earth and heaven met within his breast;
As if Theocritus in Sicily
Had come upon the Figure crucified
And lost his gods in deep, Christ-given rest.
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