No. 23.-1805. PORTRAIT OF THE ARTIST. Painted in Rome. NATHANIEL AMORY, Newport. No. 24.. DR. BIGELOW, Boston. No. 25. LANDSCAPE. POWELL MASON, Boston. No. 26. HEAD OF ST. PETER. A study for the large picture afterwards painted for Sir George Beaumont, now in a Church at Ashby de la Zouch, England. GEORGE BANCROFT, Boston. No. 27.--1811. COAST SCENE ON THE MEDITERANEAN. T. WILLIAMS, Boston. No. 28. A SKETCH OF A POLISH JEW. J. S. COPLEY GREENE, Boston. No. 29. A SKETCH OF A POLISH JEW. No. 30.-1811. A POOR AUTHOR AND A RICH BOOKSELLER. T. H. PERKINS, JR., Boston. No. 31. LANDSCAPE. REV. DR. LOWELL, Boston. No. 32.-1804. RISING OF A THUNDERSTORM AT SEA. PILOT BOAT GOING OFF TO A SHIP. S. D. PARKER, Boston. No. 33. DONNA MENCIA IN THE ROBBERS' CAVERN. Donna Mencia, after the murder of her husband by Capt. Rolando's band, had been conveyed, in a state of insensibility, to their cavern. The moment represented is when she recovers from her swoon. The nearest figure is the Captain, the figure on his right, sitting at the table, is Gil Blas. Vide Gil Blas. COL. WILLIAM DRAYTON, of South Carolina-Philadelphia. 7 No. 34. PORTRAIT OF SAMUEL WILLIAMS, Esq. TIMOTHY WILLIAMS, Boston. Lorenzo. How sweet the moonlight sleeps upon this bank! Creep in our ears: soft stillness and the night N. B. The air and color of the head with the golden hair was imitated from a picture by Titian, called a portrait of his Daughter, but not the character, or the disposition of the hair, which in the portrait is a crop; the action of the portrait is also different-holding up a casket with both hands. The rest of the picture, with the exception of the curtain in the back-ground, is original FRANCIS ALEXANDER, Boston. No. 40. THE YOUNG TROUBADOUR. Falstaff. Come, prick me Bullcalf till he roar again. Falstaff. What, dost though roar before thou art prick'd? Second Part of King Henry IV. Act III. WILLIAM SULLIVAN, Boston. No. 42.-1811. PORTRAIT OF THE LATE Mrs. WM. CHANNING. REV. DR. CHANNING, Boston. No. 43.-1799. Painted when at College, Cambridge. No. 44.-1799. LANDSCAPE. In possesion of the Artist. Painted when at College, Cambridge. N. B. These youthful efforts are exhibited as objects of curiosities. No. 45. STORM AT SEA. The ship Galen, in which the Artist returned from Europe. Drawn on ship board. COL. PERKINS, Boston. |