Tragedy in TransitionSarah Annes Brown, Catherine Silverstone Wiley, 2007. nov. 28. - 315 oldal Tragedy in Transition is an innovative and exciting introduction to the theory and practice of tragedy.
|
Részletek a könyvből
1 - 3 találat összesen 62 találatból.
182. oldal
... stage of human life as he is physically stranded on an island in the Serpentine . Solomon Caw the crow tells him he ... stages of growth , he gains immortality but must remain a " Poor little half - and - half , " a " Betwixt - and ...
... stage of human life as he is physically stranded on an island in the Serpentine . Solomon Caw the crow tells him he ... stages of growth , he gains immortality but must remain a " Poor little half - and - half , " a " Betwixt - and ...
205. oldal
... stage was a Nietzschean - inspired produc- tion of Oedipus Rex directed by Max Reinhardt , which Freud himself enjoyed . But the interwar Parisian stage was dominated by Oedipuses of an overtly Freudian kind ; and again it was the ...
... stage was a Nietzschean - inspired produc- tion of Oedipus Rex directed by Max Reinhardt , which Freud himself enjoyed . But the interwar Parisian stage was dominated by Oedipuses of an overtly Freudian kind ; and again it was the ...
241. oldal
... Stage " is not to undermine its fundamental claims but to better understand that reciprocity . The bonding agent for Soyinka is Nietzsche , and he explains at the start of his essay that the " course to the heart of the Yoruba Mysteries ...
... Stage " is not to undermine its fundamental claims but to better understand that reciprocity . The bonding agent for Soyinka is Nietzsche , and he explains at the start of his essay that the " course to the heart of the Yoruba Mysteries ...
Tartalomjegyzék
Tragedy in Transition | 1 |
Trojan Suffering Tragic Gods and Transhistorical Metaphysics | 16 |
Hardcore Tragedy | 34 |
Copyright | |
15 további fejezet nem látható
Más kiadások - Összes megtekintése
Gyakori szavak és kifejezések
Aeschylus ancient Antigone Antony argued Aristotle audience Bacchae Blood Meridian Caesar century chapter characters child childhood chorus Christ Christian classical context Creon criticism culture dead death describes Dionysiac Dionysus disgust drama eclipse emotional English essay ethical Euripides example exile experience fate father feral feral child figure Ford Ford's Frankenstein future genre Gloucester gods Greek tragedy Hamlet hero horror human individual Jocasta Jonson King Lear Knight Lacan literary live Macbeth Mary Shelley Medea metaphysical modern Monster moral murder narrative nature Neoclassical Neoclassicism Nietzsche novel Oedipus Tyrannus pain passion performance Philoctetes pity play Poetics political Prometheus protagonist Quarto question Real response ritual role Roman scene science fiction seems Sejanus sense Shakespeare Shelley social Sophocles Soyinka stage Stoppard story sub-tragic suffering theater things Tiberius tradition tragedy's tragic Trojan Women Wilde Wilde's Wilson Knight words writing Zeus Žižek