Tragedy in TransitionSarah Annes Brown, Catherine Silverstone Wiley, 2007. nov. 28. - 315 oldal Tragedy in Transition is an innovative and exciting introduction to the theory and practice of tragedy.
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1 - 3 találat összesen 74 találatból.
4. oldal
... seems haunted by a sense of his own fictionality . Wilamowitz - Moellendorff ( 1919 : 162 ) observes that Seneca's Medea seems to have read Euripides ' Medea , and we might equally say that Shakespeare's playgoing prince seems to have ...
... seems haunted by a sense of his own fictionality . Wilamowitz - Moellendorff ( 1919 : 162 ) observes that Seneca's Medea seems to have read Euripides ' Medea , and we might equally say that Shakespeare's playgoing prince seems to have ...
56. oldal
... seems the vessel of a bitter truth that has been evaded in recent Western culture : It makes no difference what men think of war , said the judge . War endures . As well ask men what they think of stone , war was always here . Before ...
... seems the vessel of a bitter truth that has been evaded in recent Western culture : It makes no difference what men think of war , said the judge . War endures . As well ask men what they think of stone , war was always here . Before ...
61. oldal
... seems intimately connected to the creation of culture ; it is so peculiarly human that , like the capacity for langu- age , it seems to bear a necessary connection to the kinds of social and moral possibility we have " ( Miller 1997 ...
... seems intimately connected to the creation of culture ; it is so peculiarly human that , like the capacity for langu- age , it seems to bear a necessary connection to the kinds of social and moral possibility we have " ( Miller 1997 ...
Tartalomjegyzék
Tragedy in Transition | 1 |
Trojan Suffering Tragic Gods and Transhistorical Metaphysics | 16 |
Hardcore Tragedy | 34 |
Copyright | |
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Aeschylus ancient Antigone Antony argued Aristotle audience Bacchae Blood Meridian Caesar century chapter characters child childhood chorus Christ Christian classical context Creon criticism culture dead death describes Dionysiac Dionysus disgust drama eclipse emotional English essay ethical Euripides example exile experience fate father feral feral child figure Ford Ford's Frankenstein future genre Gloucester gods Greek tragedy Hamlet hero horror human individual Jocasta Jonson King Lear Knight Lacan literary live Macbeth Mary Shelley Medea metaphysical modern Monster moral murder narrative nature Neoclassical Neoclassicism Nietzsche novel Oedipus Tyrannus pain passion performance Philoctetes pity play Poetics political Prometheus protagonist Quarto question Real response ritual role Roman scene science fiction seems Sejanus sense Shakespeare Shelley social Sophocles Soyinka stage Stoppard story sub-tragic suffering theater things Tiberius tradition tragedy's tragic Trojan Women Wilde Wilde's Wilson Knight words writing Zeus Žižek