Tragedy in TransitionSarah Annes Brown, Catherine Silverstone Wiley, 2007. nov. 28. - 315 oldal Tragedy in Transition is an innovative and exciting introduction to the theory and practice of tragedy.
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1 - 3 találat összesen 24 találatból.
3. oldal
... reference to a kind of fleering verse named after Fescennia , a small city on the Tiber . The metatheatricality is heightened by a persistent ambiguity in the play's many references to the past . These might either evoke Medea's ...
... reference to a kind of fleering verse named after Fescennia , a small city on the Tiber . The metatheatricality is heightened by a persistent ambiguity in the play's many references to the past . These might either evoke Medea's ...
68. oldal
... reference to shrinking back is there to remind the play's original audience of why , at the level of immediate physical ... references to " disgust " by both Neoptolemus and Philoctetes prove that the same mouths which register divisions ...
... reference to shrinking back is there to remind the play's original audience of why , at the level of immediate physical ... references to " disgust " by both Neoptolemus and Philoctetes prove that the same mouths which register divisions ...
77. oldal
... references to Shakespeare are to this edition . 4 OED " compassion " ( first cited 1968 ) . 5 For this reason , although most of the literary examples in this chapter are taken from Western culture ( principally Greek and Shakespearean ...
... references to Shakespeare are to this edition . 4 OED " compassion " ( first cited 1968 ) . 5 For this reason , although most of the literary examples in this chapter are taken from Western culture ( principally Greek and Shakespearean ...
Tartalomjegyzék
Tragedy in Transition | 1 |
Trojan Suffering Tragic Gods and Transhistorical Metaphysics | 16 |
Hardcore Tragedy | 34 |
Copyright | |
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Aeschylus ancient Antigone Antony argued Aristotle audience Bacchae Blood Meridian Caesar century chapter characters child childhood chorus Christ Christian classical context Creon criticism culture dead death describes Dionysiac Dionysus disgust drama eclipse emotional English essay ethical Euripides example exile experience fate father feral feral child figure Ford Ford's Frankenstein future genre Gloucester gods Greek tragedy Hamlet hero horror human individual Jocasta Jonson King Lear Knight Lacan literary live Macbeth Mary Shelley Medea metaphysical modern Monster moral murder narrative nature Neoclassical Neoclassicism Nietzsche novel Oedipus Tyrannus pain passion performance Philoctetes pity play Poetics political Prometheus protagonist Quarto question Real response ritual role Roman scene science fiction seems Sejanus sense Shakespeare Shelley social Sophocles Soyinka stage Stoppard story sub-tragic suffering theater things Tiberius tradition tragedy's tragic Trojan Women Wilde Wilde's Wilson Knight words writing Zeus Žižek