Tragedy in TransitionSarah Annes Brown, Catherine Silverstone Wiley, 2007. nov. 28. - 315 oldal Tragedy in Transition is an innovative and exciting introduction to the theory and practice of tragedy.
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1 - 3 találat összesen 37 találatból.
23. oldal
... physical appearance of the gods on stage in this play seemed to epochs later than Euripides , when different religious and philo- sophical beliefs were held , to be an element that could simply be removed . Euripides ' play was imitated ...
... physical appearance of the gods on stage in this play seemed to epochs later than Euripides , when different religious and philo- sophical beliefs were held , to be an element that could simply be removed . Euripides ' play was imitated ...
26. oldal
... physical inclusion of gods in its performance space . In Greek tragedy , the " meta- physical relationships between audience , gods and humans " became " sharply insistent through their concrete visualization in the coding of space ...
... physical inclusion of gods in its performance space . In Greek tragedy , the " meta- physical relationships between audience , gods and humans " became " sharply insistent through their concrete visualization in the coding of space ...
151. oldal
... physical borders . Like Walter Benjamin , Oedipus at the border is asked by the chorus to reveal his story , like his ancient transit visa , in order to be given sanctuary . But unlike Benjamin , the legacy he carries with him , like a ...
... physical borders . Like Walter Benjamin , Oedipus at the border is asked by the chorus to reveal his story , like his ancient transit visa , in order to be given sanctuary . But unlike Benjamin , the legacy he carries with him , like a ...
Tartalomjegyzék
Tragedy in Transition | 1 |
Trojan Suffering Tragic Gods and Transhistorical Metaphysics | 16 |
Hardcore Tragedy | 34 |
Copyright | |
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Aeschylus ancient Antigone Antony argued Aristotle audience Bacchae Blood Meridian Caesar century chapter characters child childhood chorus Christ Christian classical context Creon criticism culture dead death describes Dionysiac Dionysus disgust drama eclipse emotional English essay ethical Euripides example exile experience fate father feral feral child figure Ford Ford's Frankenstein future genre Gloucester gods Greek tragedy Hamlet hero horror human individual Jocasta Jonson King Lear Knight Lacan literary live Macbeth Mary Shelley Medea metaphysical modern Monster moral murder narrative nature Neoclassical Neoclassicism Nietzsche novel Oedipus Tyrannus pain passion performance Philoctetes pity play Poetics political Prometheus protagonist Quarto question Real response ritual role Roman scene science fiction seems Sejanus sense Shakespeare Shelley social Sophocles Soyinka stage Stoppard story sub-tragic suffering theater things Tiberius tradition tragedy's tragic Trojan Women Wilde Wilde's Wilson Knight words writing Zeus Žižek