Tragedy in TransitionSarah Annes Brown, Catherine Silverstone Wiley, 2007. nov. 28. - 315 oldal Tragedy in Transition is an innovative and exciting introduction to the theory and practice of tragedy.
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1 - 3 találat összesen 40 találatból.
39. oldal
... perhaps , in some sense , they do : hence this deadly art's traditional preeminence among genres ; hence the feeling that anything but tragedy just isn't the real thing at all . I want to pause a bit over the difficult notion of “ the ...
... perhaps , in some sense , they do : hence this deadly art's traditional preeminence among genres ; hence the feeling that anything but tragedy just isn't the real thing at all . I want to pause a bit over the difficult notion of “ the ...
42. oldal
... perhaps they more truthfully refer back to Duncan's murder ? Macbeth can't but do that deed ; it is perhaps literally irresistible . And the love of which he speaks might be the love of possibility which , according to Lacan , always ...
... perhaps they more truthfully refer back to Duncan's murder ? Macbeth can't but do that deed ; it is perhaps literally irresistible . And the love of which he speaks might be the love of possibility which , according to Lacan , always ...
127. oldal
... perhaps , but it helps explain the discovered majesty of the scene . Further , it is perhaps not too fanciful to think of Marat's fate not as a few seconds of frantic , bloody action , but as something more like a suicide . The ...
... perhaps , but it helps explain the discovered majesty of the scene . Further , it is perhaps not too fanciful to think of Marat's fate not as a few seconds of frantic , bloody action , but as something more like a suicide . The ...
Tartalomjegyzék
Tragedy in Transition | 1 |
Trojan Suffering Tragic Gods and Transhistorical Metaphysics | 16 |
Hardcore Tragedy | 34 |
Copyright | |
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Aeschylus ancient Antigone Antony argued Aristotle audience Bacchae Blood Meridian Caesar century chapter characters child childhood chorus Christ Christian classical context Creon criticism culture dead death describes Dionysiac Dionysus disgust drama eclipse emotional English essay ethical Euripides example exile experience fate father feral feral child figure Ford Ford's Frankenstein future genre Gloucester gods Greek tragedy Hamlet hero horror human individual Jocasta Jonson King Lear Knight Lacan literary live Macbeth Mary Shelley Medea metaphysical modern Monster moral murder narrative nature Neoclassical Neoclassicism Nietzsche novel Oedipus Tyrannus pain passion performance Philoctetes pity play Poetics political Prometheus protagonist Quarto question Real response ritual role Roman scene science fiction seems Sejanus sense Shakespeare Shelley social Sophocles Soyinka stage Stoppard story sub-tragic suffering theater things Tiberius tradition tragedy's tragic Trojan Women Wilde Wilde's Wilson Knight words writing Zeus Žižek