Tragedy in TransitionSarah Annes Brown, Catherine Silverstone Wiley, 2007. nov. 28. - 315 oldal Tragedy in Transition is an innovative and exciting introduction to the theory and practice of tragedy.
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1 - 3 találat összesen 37 találatból.
115. oldal
... hand ! ” ( 340 ) . Our benediction " Twas nobly struck " ( 341 ) is at once outbid by ( crocodil- ian ? ) regrets from the throne , " We ... intended to preserve thee , noble Roman " ( 343-6 ) . The loose ends tied , enter under arrest ...
... hand ! ” ( 340 ) . Our benediction " Twas nobly struck " ( 341 ) is at once outbid by ( crocodil- ian ? ) regrets from the throne , " We ... intended to preserve thee , noble Roman " ( 343-6 ) . The loose ends tied , enter under arrest ...
151. oldal
... hand , life on the island , scratching out an existence among the birds and wild animals , has been a shadowy , unreal existence : " My whole life has been / Just one long cruel parody " ( 18 ) , Heaney interpolates into his version ...
... hand , life on the island , scratching out an existence among the birds and wild animals , has been a shadowy , unreal existence : " My whole life has been / Just one long cruel parody " ( 18 ) , Heaney interpolates into his version ...
242. oldal
... hand in hand with this , as we see in medieval religious drama , where cosmic space is demarcated in rigidly punitive terms . Yet at the same time as he pursues this thesis , Soyinka goes to Shakespeare to illustrate what he means by ...
... hand in hand with this , as we see in medieval religious drama , where cosmic space is demarcated in rigidly punitive terms . Yet at the same time as he pursues this thesis , Soyinka goes to Shakespeare to illustrate what he means by ...
Tartalomjegyzék
Tragedy in Transition | 1 |
Trojan Suffering Tragic Gods and Transhistorical Metaphysics | 16 |
Hardcore Tragedy | 34 |
Copyright | |
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Aeschylus ancient Antigone Antony argued Aristotle audience Bacchae Blood Meridian Caesar century chapter characters child childhood chorus Christ Christian classical context Creon criticism culture dead death describes Dionysiac Dionysus disgust drama eclipse emotional English essay ethical Euripides example exile experience fate father feral feral child figure Ford Ford's Frankenstein future genre Gloucester gods Greek tragedy Hamlet hero horror human individual Jocasta Jonson King Lear Knight Lacan literary live Macbeth Mary Shelley Medea metaphysical modern Monster moral murder narrative nature Neoclassical Neoclassicism Nietzsche novel Oedipus Tyrannus pain passion performance Philoctetes pity play Poetics political Prometheus protagonist Quarto question Real response ritual role Roman scene science fiction seems Sejanus sense Shakespeare Shelley social Sophocles Soyinka stage Stoppard story sub-tragic suffering theater things Tiberius tradition tragedy's tragic Trojan Women Wilde Wilde's Wilson Knight words writing Zeus ®iľek