Tragedy in TransitionSarah Annes Brown, Catherine Silverstone Wiley, 2007. nov. 28. - 315 oldal Tragedy in Transition is an innovative and exciting introduction to the theory and practice of tragedy.
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1 - 3 találat összesen 73 találatból.
63. oldal
... culture has created in the past and might create again . ( Indeed , like disgust , tragedy implicitly ask us what we mean by terms such as " we " and " our culture " - terms which collapse precisely the sort of historical , geographical ...
... culture has created in the past and might create again . ( Indeed , like disgust , tragedy implicitly ask us what we mean by terms such as " we " and " our culture " - terms which collapse precisely the sort of historical , geographical ...
65. oldal
... cultures , too , grow up , and that disgust can therefore function as a way of defining and rejecting those aspects of a culture's past that it has outgrown , mixed with the fear that the roots of a culture might work more like the ...
... cultures , too , grow up , and that disgust can therefore function as a way of defining and rejecting those aspects of a culture's past that it has outgrown , mixed with the fear that the roots of a culture might work more like the ...
247. oldal
... culture , " to which Dionysus replies , " Just how much have you travelled , Pentheus ? / I have seen even among your so - called / Barbarian slaves , natives of lands whose cul- tures / Beggar yours " ( Soyinka 1973 : 269 ) . The ...
... culture , " to which Dionysus replies , " Just how much have you travelled , Pentheus ? / I have seen even among your so - called / Barbarian slaves , natives of lands whose cul- tures / Beggar yours " ( Soyinka 1973 : 269 ) . The ...
Tartalomjegyzék
Tragedy in Transition | 1 |
Trojan Suffering Tragic Gods and Transhistorical Metaphysics | 16 |
Hardcore Tragedy | 34 |
Copyright | |
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Aeschylus ancient Antigone Antony argued Aristotle audience Bacchae Blood Meridian Caesar century chapter characters child childhood chorus Christ Christian classical context Creon criticism culture dead death describes Dionysiac Dionysus disgust drama eclipse emotional English essay ethical Euripides example exile experience fate father feral feral child figure Ford Ford's Frankenstein future genre Gloucester gods Greek tragedy Hamlet hero horror human individual Jocasta Jonson King Lear Knight Lacan literary live Macbeth Mary Shelley Medea metaphysical modern Monster moral murder narrative nature Neoclassical Neoclassicism Nietzsche novel Oedipus Tyrannus pain passion performance Philoctetes pity play Poetics political Prometheus protagonist Quarto question Real response ritual role Roman scene science fiction seems Sejanus sense Shakespeare Shelley social Sophocles Soyinka stage Stoppard story sub-tragic suffering theater things Tiberius tradition tragedy's tragic Trojan Women Wilde Wilde's Wilson Knight words writing Zeus Žižek