Tragedy in TransitionSarah Annes Brown, Catherine Silverstone Wiley, 2007. nov. 28. - 315 oldal Tragedy in Transition is an innovative and exciting introduction to the theory and practice of tragedy.
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1 - 3 találat összesen 51 találatból.
22. oldal
... Hamlet the very idea that " the play's the thing / Wherein I'll catch the conscience of the king " ( 2.2.606-7 ) . Claudius , like Alexander of Pherae , subsequently watches in the course of Hamlet Act 3 scene 2 a play dramatizing ...
... Hamlet the very idea that " the play's the thing / Wherein I'll catch the conscience of the king " ( 2.2.606-7 ) . Claudius , like Alexander of Pherae , subsequently watches in the course of Hamlet Act 3 scene 2 a play dramatizing ...
132. oldal
... HAMLET : As th ' art a man , Give me the cup . Let go ! By heaven , I'll ha't ! O God , Horatio , what a wounded name , Things standing thus unknown , shall I leave behind me ! If thou didst ever hold me in thy heart , Absent thee from ...
... HAMLET : As th ' art a man , Give me the cup . Let go ! By heaven , I'll ha't ! O God , Horatio , what a wounded name , Things standing thus unknown , shall I leave behind me ! If thou didst ever hold me in thy heart , Absent thee from ...
133. oldal
... Hamlet engages with ideas close to the heart of Neoclassicism not only in its characters ' choices , but also in its internal examination of dramatic practice . The rules Hamlet imparts to the players in 3.2 are clearly post ...
... Hamlet engages with ideas close to the heart of Neoclassicism not only in its characters ' choices , but also in its internal examination of dramatic practice . The rules Hamlet imparts to the players in 3.2 are clearly post ...
Tartalomjegyzék
Tragedy in Transition | 1 |
Trojan Suffering Tragic Gods and Transhistorical Metaphysics | 16 |
Hardcore Tragedy | 34 |
Copyright | |
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Aeschylus ancient Antigone Antony argued Aristotle audience Bacchae Blood Meridian Caesar century chapter characters child childhood chorus Christ Christian classical context Creon criticism culture dead death describes Dionysiac Dionysus disgust drama eclipse emotional English essay ethical Euripides example exile experience fate father feral feral child figure Ford Ford's Frankenstein future genre Gloucester gods Greek tragedy Hamlet hero horror human individual Jocasta Jonson King Lear Knight Lacan literary live Macbeth Mary Shelley Medea metaphysical modern Monster moral murder narrative nature Neoclassical Neoclassicism Nietzsche novel Oedipus Tyrannus pain passion performance Philoctetes pity play Poetics political Prometheus protagonist Quarto question Real response ritual role Roman scene science fiction seems Sejanus sense Shakespeare Shelley social Sophocles Soyinka stage Stoppard story sub-tragic suffering theater things Tiberius tradition tragedy's tragic Trojan Women Wilde Wilde's Wilson Knight words writing Zeus Žižek