Tragedy in TransitionSarah Annes Brown, Catherine Silverstone Wiley, 2007. nov. 28. - 315 oldal Tragedy in Transition is an innovative and exciting introduction to the theory and practice of tragedy.
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7. oldal
... Aeschylus so radically he was only following the example of Greek writers themselves , who freely adapted their own sources ( Shelley 1959 : 119 ) . And in any case , Aeschylus ' treatment of Prometheus is already enmeshed in a ...
... Aeschylus so radically he was only following the example of Greek writers themselves , who freely adapted their own sources ( Shelley 1959 : 119 ) . And in any case , Aeschylus ' treatment of Prometheus is already enmeshed in a ...
81. oldal
... Aeschylus ' Seven Against Thebes when Eteo- cles imagines a captured city ( like Herodotus ' cities in eclipse ) as one that the Gods have abandoned ( Aeschylus 1985 : 11.217-18 ) . The verb is used with bion , " life , " in Sophocles ...
... Aeschylus ' Seven Against Thebes when Eteo- cles imagines a captured city ( like Herodotus ' cities in eclipse ) as one that the Gods have abandoned ( Aeschylus 1985 : 11.217-18 ) . The verb is used with bion , " life , " in Sophocles ...
98. oldal
... Aeschylus 1996 : 119. Also Kakridis 1975 : 145–54 . Pelling ( 1997 : 2–6 ) compares light - dark , day - night contrasts in the Battle of Salamis , as described by Aeschylus and Herod- otus . Michelini describes the movement between ...
... Aeschylus 1996 : 119. Also Kakridis 1975 : 145–54 . Pelling ( 1997 : 2–6 ) compares light - dark , day - night contrasts in the Battle of Salamis , as described by Aeschylus and Herod- otus . Michelini describes the movement between ...
Tartalomjegyzék
Tragedy in Transition | 1 |
Trojan Suffering Tragic Gods and Transhistorical Metaphysics | 16 |
Hardcore Tragedy | 34 |
Copyright | |
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Aeschylus ancient Antigone Antony argued Aristotle audience Bacchae Blood Meridian Caesar century chapter characters child childhood chorus Christ Christian classical context Creon criticism culture dead death describes Dionysiac Dionysus disgust drama eclipse emotional English essay ethical Euripides example exile experience fate father feral feral child figure Ford Ford's Frankenstein future genre Gloucester gods Greek tragedy Hamlet hero horror human individual Jocasta Jonson King Lear Knight Lacan literary live Macbeth Mary Shelley Medea metaphysical modern Monster moral murder narrative nature Neoclassical Neoclassicism Nietzsche novel Oedipus Tyrannus pain passion performance Philoctetes pity play Poetics political Prometheus protagonist Quarto question Real response ritual role Roman scene science fiction seems Sejanus sense Shakespeare Shelley social Sophocles Soyinka stage Stoppard story sub-tragic suffering theater things Tiberius tradition tragedy's tragic Trojan Women Wilde Wilde's Wilson Knight words writing Zeus Žižek