Feeling and Form: A Theory of ArtScribner, 1953 - 431 oldal |
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1 - 3 találat összesen 54 találatból.
111. oldal
... mode , i.e. appearing to have different terms and relations . The clock - metaphysically a very problematical instrument - makes a special abstraction from temporal experience , namely time as pure sequence , symbolized by a class of ...
... mode , i.e. appearing to have different terms and relations . The clock - metaphysically a very problematical instrument - makes a special abstraction from temporal experience , namely time as pure sequence , symbolized by a class of ...
171. oldal
... mode of their own art : a painter usually has a true feeling for buildings and statues , a pianist for vocal music from plain - song to opera , etc. But dancers are not particularly discerning critics of music , and musicians are very ...
... mode of their own art : a painter usually has a true feeling for buildings and statues , a pianist for vocal music from plain - song to opera , etc. But dancers are not particularly discerning critics of music , and musicians are very ...
307. oldal
... mode is the mode of Memory ; the dramatic is the mode of Destiny . 1For example , R. E. Jones in The Dramatic Imagination , p . 40 , says : " This is drama ; this is theatre - to be aware of the Now . " And Thornton Wilder , in " Some ...
... mode is the mode of Memory ; the dramatic is the mode of Destiny . 1For example , R. E. Jones in The Dramatic Imagination , p . 40 , says : " This is drama ; this is theatre - to be aware of the Now . " And Thornton Wilder , in " Some ...
Tartalomjegyzék
Paradoxes | 12 |
The Symbol of Feeling | 24 |
Part II | 43 |
Copyright | |
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abstraction action actual aesthetic aestheticians architecture articulate artistic ballet becomes called character comedy comic complete composer conception created creation creative criticism Curt Sachs dance dancers devices discursive drama dream Echoing Green elements emotional essentially experience expression fact factor feeling fiction function gesture human I. A. Richards idea imagination import intuition Joseph Goddard language literary literature living logical lyric Mary Wigman means ment mode moral motif motion movement nature normal object organic painting pantomime pattern perception person philosophical physical picture piece plastic plastic art play poem poet poetic poetry present primary illusion principle problem program music pure reality realm relation rhythm rhythmic Roger Sessions Rudolf von Laban sculpture semblance sense sentience significance simply sound story structure symbol T. S. Eliot tense tensions theater theory things thought tion tonal tone tragedy Urlinie virtual history virtual space vision visual vital whole words