Feeling and Form: A Theory of Art

abstraction action actual aesthetic aestheticians architecture articulate artistic ballet becomes called character comedy comic complete composer conception created creation creative criticism Curt Sachs dance dancers devices discursive drama dream Echoing Green elements emotional essentially experience expression fact factor feeling fiction function gesture human I. A. Richards idea imagination import intuition Joseph Goddard language literary literature living logical lyric Mary Wigman means ment mode moral motif motion movement nature normal object organic painting pantomime pattern perception person philosophical physical picture piece plastic plastic art play poem poet poetic poetry present primary illusion principle problem program music pure reality realm relation rhythm rhythmic Roger Sessions Rudolf von Laban sculpture semblance sense sentience significance simply sound story structure symbol T. S. Eliot tense tensions theater theory things thought tion tonal tone tragedy Urlinie virtual history virtual space vision visual vital whole words