Elements of Elocution, 1781, 2. részScolar P., 1969 |
Részletek a könyvből
1 - 3 találat összesen 41 találatból.
107. oldal
... whole cli- max with suitable force and harmony . Intermediate Member , It now remains to fay fomething of an emphatic circumftance , which , though not mentioned by any of our writers on the the fubject , feems of the utmost import ...
... whole cli- max with suitable force and harmony . Intermediate Member , It now remains to fay fomething of an emphatic circumftance , which , though not mentioned by any of our writers on the the fubject , feems of the utmost import ...
189. oldal
... whole is generally pronounced with the falling inflexion , in order to avoid the bad effect of a question with the rifing infle- xion at the end of a paragraph ; which would be effectually prevented by unit- ing the last couplet to the ...
... whole is generally pronounced with the falling inflexion , in order to avoid the bad effect of a question with the rifing infle- xion at the end of a paragraph ; which would be effectually prevented by unit- ing the last couplet to the ...
395. oldal
... whole kingdom into defolation . Touching our perfon , feek we no revenge ; But we our kingdom's fafety muft fo tender , Whole ruin you three fought , that to her laws We do deliver you . Go therefore hence Poor miferable wretches , to ...
... whole kingdom into defolation . Touching our perfon , feek we no revenge ; But we our kingdom's fafety muft fo tender , Whole ruin you three fought , that to her laws We do deliver you . Go therefore hence Poor miferable wretches , to ...
Tartalomjegyzék
ACCENT Page | 1 |
English Scotch and Irish Accent | 14 |
Theory of Emphatic Inflexion | 42 |
Copyright | |
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able accent action adopt almoſt appear arms arrangement beautiful begin body bring called common confider death emphaſis emphatic emphatic words equal example expreffed eyes falling inflexion fame feel feems fenfe fentence fhall fight firſt fome fometimes force former foul fubject fuch fyllable give greater hand harmony head heard heart importance kind laft laſt latter live look loud lower manner mark means mind moft monotone moſt muſt nature neceffarily neceffary obferved object paffage paffion paufe pauſe perfon pitch pity poetry profe pronounced pronunciation raiſed reader reading reaſon require rifing inflexion rule ſenſe ſhall ſhould ſpeak ſpeaker thee thefe theſe thing thofe thoſe thou thought tion tone tone of voice uſe variety verfe verſe voice whole