Elements of Elocution, 1781, 2. részScolar P., 1969 |
Részletek a könyvből
1 - 3 találat összesen 22 találatból.
88. oldal
... rising inflexion must take place in the middle of fuch a sentence , the second branch of the first member must neceffa- rily have the rising inflexion , and the reft of the branches must have such an empha- fis and inflexion , as ...
... rising inflexion must take place in the middle of fuch a sentence , the second branch of the first member must neceffa- rily have the rising inflexion , and the reft of the branches must have such an empha- fis and inflexion , as ...
156. oldal
... rising inflexion on the word fate , in order to make the other words as various and harmonious as poffible , the falling inflexion is placed on forms , the fame inflexion on struggling , and the rifing inflexion on brave ; and this , in ...
... rising inflexion on the word fate , in order to make the other words as various and harmonious as poffible , the falling inflexion is placed on forms , the fame inflexion on struggling , and the rifing inflexion on brave ; and this , in ...
186. oldal
... inflexion in verfe , where we should use the falling in profe , yet if in profe we should end with the rifing inflexion , we ought always to end with the same infle- xion in verse ; in this cafe , the rising in- flexion at the end of a ...
... inflexion in verfe , where we should use the falling in profe , yet if in profe we should end with the rifing inflexion , we ought always to end with the same infle- xion in verse ; in this cafe , the rising in- flexion at the end of a ...
Tartalomjegyzék
ACCENT Page | 1 |
English Scotch and Irish Accent | 14 |
Theory of Emphatic Inflexion | 42 |
Copyright | |
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able accent action adopt almoſt appear arms arrangement beautiful begin body bring called common confider death emphaſis emphatic emphatic words equal example expreffed eyes falling inflexion fame feel feems fenfe fentence fhall fight firſt fome fometimes force former foul fubject fuch fyllable give greater hand harmony head heard heart importance kind laft laſt latter live look loud lower manner mark means mind moft monotone moſt muſt nature neceffarily neceffary obferved object paffage paffion paufe pauſe perfon pitch pity poetry profe pronounced pronunciation raiſed reader reading reaſon require rifing inflexion rule ſenſe ſhall ſhould ſpeak ſpeaker thee thefe theſe thing thofe thoſe thou thought tion tone tone of voice uſe variety verfe verſe voice whole