Elements of Elocution, 1781, 2. részScolar P., 1969 |
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1 - 3 találat összesen 37 találatból.
208. oldal
... pause is so small , when compared with that which precedes or follows it in the body of the line , and this latter and larger pause is so often accompanied with an in- flexion of voice which marks the forma- tion of perfect fenfe , that ...
... pause is so small , when compared with that which precedes or follows it in the body of the line , and this latter and larger pause is so often accompanied with an in- flexion of voice which marks the forma- tion of perfect fenfe , that ...
211. oldal
... pause comes into the definition of verse , because it ferves to fhew the equal number of im- preffions in every line , a pause that is in- fufficient for this purpose is not , strictly fpeaking , a poetical pause : for if the pause ...
... pause comes into the definition of verse , because it ferves to fhew the equal number of im- preffions in every line , a pause that is in- fufficient for this purpose is not , strictly fpeaking , a poetical pause : for if the pause ...
219. oldal
... pause fo feldom occur at the end of a verse , that we often pause between words in verse , where we should not in profe , but where a pause would by no means interfere with the sense ; this , it is prefumed , has been fully shown in the ...
... pause fo feldom occur at the end of a verse , that we often pause between words in verse , where we should not in profe , but where a pause would by no means interfere with the sense ; this , it is prefumed , has been fully shown in the ...
Tartalomjegyzék
ACCENT Page | 1 |
English Scotch and Irish Accent | 14 |
Theory of Emphatic Inflexion | 42 |
Copyright | |
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able accent action adopt almoſt appear arms arrangement beautiful begin body bring called common confider death emphaſis emphatic emphatic words equal example expreffed eyes falling inflexion fame feel feems fenfe fentence fhall fight firſt fome fometimes force former foul fubject fuch fyllable give greater hand harmony head heard heart importance kind laft laſt latter live look loud lower manner mark means mind moft monotone moſt muſt nature neceffarily neceffary obferved object paffage paffion paufe pauſe perfon pitch pity poetry profe pronounced pronunciation raiſed reader reading reaſon require rifing inflexion rule ſenſe ſhall ſhould ſpeak ſpeaker thee thefe theſe thing thofe thoſe thou thought tion tone tone of voice uſe variety verfe verſe voice whole