Elements of Elocution, 1781, 2. részScolar P., 1969 |
Részletek a könyvből
1 - 3 találat összesen 28 találatból.
18. oldal
... Italics , and confidered as equally emphatical . The wrong tendency of fuch a practice is fuf- ficiently obvious , but its origin was never pointed T 7 pointed out till the publication of the ef fay above 18 ELEMENTS OF.
... Italics , and confidered as equally emphatical . The wrong tendency of fuch a practice is fuf- ficiently obvious , but its origin was never pointed T 7 pointed out till the publication of the ef fay above 18 ELEMENTS OF.
85. oldal
... never tell us which we shall adopt as most fuitable to the meaning of the author . To this it may be answered , that whatever . tends to show the different import of each kind of emphafis , enables us the better to judge of the ...
... never tell us which we shall adopt as most fuitable to the meaning of the author . To this it may be answered , that whatever . tends to show the different import of each kind of emphafis , enables us the better to judge of the ...
166. oldal
... never happened above once or twice at most , they appeal to me . Spectator . Here the fense requires , that the emphasis with the falling inflexion should be placed on the word most after which must be a paufe ; and as the final member ...
... never happened above once or twice at most , they appeal to me . Spectator . Here the fense requires , that the emphasis with the falling inflexion should be placed on the word most after which must be a paufe ; and as the final member ...
Tartalomjegyzék
ACCENT Page | 1 |
English Scotch and Irish Accent | 14 |
Theory of Emphatic Inflexion | 42 |
Copyright | |
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accented fyllable adopt affume againſt almoſt antithefis arife becauſe Cæfar cafe compofition confiderable conftitution couplet diftinct diſtance emphaſis emphatic words example exercife expreffed expreffion eyes faid Fair Penitent falling inflexion fame fameneſs feems fenfe fenſe fentence fhall fimilar firſt flexion foft fome fomething fometimes force foul fpeaker fpeaking fpeech ftill ftrefs ftrengthen ftrong fubject fuch fufficiently fuppofe give greateſt harmony heav'n himſelf infle inftance itſelf juſt laft laſt lefs Loft meaſure moft monotone moſt mufic muft muſt nature neceffarily neceffary neceffity neceſſary obferved ourſelves paffage paffion paufe pauſe perfon phatic pitch pleaſure poetry preferved profaic profe pronounced pronunciation purpoſe raiſed reader reading reaſon rifing inflexion riſing rule ſay ſeems ſenſe Shakspeare's ſhall find ſhould ſmall ſpeak ſtill ſtreſs tence thee thefe theſe theſe words thofe thoſe thou tion tone of voice underſtanding uſe utmoſt variety verfe verſe xion