Elements of Elocution, 1781, 2. részScolar P., 1969 |
Részletek a könyvből
1 - 3 találat összesen 53 találatból.
141. oldal
... most accurate mode of de- livering it . The ancients thought harmonious profe to be only a loofer kind of numbers , and refolved many paffages of their most cele- brated orations into such feet as compofed verse . In modern languages ...
... most accurate mode of de- livering it . The ancients thought harmonious profe to be only a loofer kind of numbers , and refolved many paffages of their most cele- brated orations into such feet as compofed verse . In modern languages ...
157. oldal
... most harmonious , and the fenfe in its most poetical drefs . Nay , we fhall find harmo- nious profe where emphasis does not in- terrupt the natural current of inflexion , glide infenfibly into this rhythmical ar- rangement of inflexion ...
... most harmonious , and the fenfe in its most poetical drefs . Nay , we fhall find harmo- nious profe where emphasis does not in- terrupt the natural current of inflexion , glide infenfibly into this rhythmical ar- rangement of inflexion ...
166. oldal
... most , they appeal to me . Spectator . Here the fense requires , that the emphasis with the falling inflexion should be placed on the word most after which must be a paufe ; and as the final member confifts only of two accented words ...
... most , they appeal to me . Spectator . Here the fense requires , that the emphasis with the falling inflexion should be placed on the word most after which must be a paufe ; and as the final member confifts only of two accented words ...
Tartalomjegyzék
ACCENT Page | 1 |
English Scotch and Irish Accent | 14 |
Theory of Emphatic Inflexion | 42 |
Copyright | |
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able accent action adopt almoſt appear arms arrangement beautiful begin body bring called common confider death emphaſis emphatic emphatic words equal example expreffed eyes falling inflexion fame feel feems fenfe fentence fhall fight firſt fome fometimes force former foul fubject fuch fyllable give greater hand harmony head heard heart importance kind laft laſt latter live look loud lower manner mark means mind moft monotone moſt muſt nature neceffarily neceffary obferved object paffage paffion paufe pauſe perfon pitch pity poetry profe pronounced pronunciation raiſed reader reading reaſon require rifing inflexion rule ſenſe ſhall ſhould ſpeak ſpeaker thee thefe theſe thing thofe thoſe thou thought tion tone tone of voice uſe variety verfe verſe voice whole