Elements of Elocution, 1781, 2. részScolar P., 1969 |
Részletek a könyvből
1 - 3 találat összesen 19 találatból.
412. oldal
... mark it with the feveral paffions , emo- tions , and fentiments it contains , by which he will diftinguish and feparate what is often mixed and confounded , and be prompted to force and variety at almost every fentence . I am well aware ...
... mark it with the feveral paffions , emo- tions , and fentiments it contains , by which he will diftinguish and feparate what is often mixed and confounded , and be prompted to force and variety at almost every fentence . I am well aware ...
424. oldal
... mark them as they occurred in Mrs. Yates's pronunciation of the Monody in Memory of Mr. Garrick . Not that by these marks I would pretend to have con- veyed that juftness of pause , that melody of voice , and that dignity of manner ...
... mark them as they occurred in Mrs. Yates's pronunciation of the Monody in Memory of Mr. Garrick . Not that by these marks I would pretend to have con- veyed that juftness of pause , that melody of voice , and that dignity of manner ...
425. oldal
... marks an- nexed to the Monody , I have made use of the horizontal line , not as a mark of em- phafis or long quantity , but to express that monotone , or fameness of voice , which good pronouncers of verse so often introduce to the ...
... marks an- nexed to the Monody , I have made use of the horizontal line , not as a mark of em- phafis or long quantity , but to express that monotone , or fameness of voice , which good pronouncers of verse so often introduce to the ...
Tartalomjegyzék
ACCENT Page | 1 |
English Scotch and Irish Accent | 14 |
Theory of Emphatic Inflexion | 42 |
Copyright | |
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able accent action adopt almoſt appear arms arrangement beautiful begin body bring called common confider death emphaſis emphatic emphatic words equal example expreffed eyes falling inflexion fame feel feems fenfe fentence fhall fight firſt fome fometimes force former foul fubject fuch fyllable give greater hand harmony head heard heart importance kind laft laſt latter live look loud lower manner mark means mind moft monotone moſt muſt nature neceffarily neceffary obferved object paffage paffion paufe pauſe perfon pitch pity poetry profe pronounced pronunciation raiſed reader reading reaſon require rifing inflexion rule ſenſe ſhall ſhould ſpeak ſpeaker thee thefe theſe thing thofe thoſe thou thought tion tone tone of voice uſe variety verfe verſe voice whole