Elements of Elocution, 1781, 2. részScolar P., 1969 |
Részletek a könyvből
1 - 3 találat összesen 98 találatból.
89. oldal
John Walker. branch of the first member has the rifing inflexion , the first branch muft of course have the falling inflexion ; and as the last branch of the fecond member forms the period , and therefore requires the falling inflexion ...
John Walker. branch of the first member has the rifing inflexion , the first branch muft of course have the falling inflexion ; and as the last branch of the fecond member forms the period , and therefore requires the falling inflexion ...
126. oldal
... inflexion then is ufing the rifing and falling inflexion of the voice upon fucceffive words , princi- pally to please the ear , and break , a conti- nued chain of fimilar paufes . For the rifing inflexion of the voice has nothing ...
... inflexion then is ufing the rifing and falling inflexion of the voice upon fucceffive words , princi- pally to please the ear , and break , a conti- nued chain of fimilar paufes . For the rifing inflexion of the voice has nothing ...
156. oldal
... inflexion on the word fate , in order to make the other words as various and harmonious as poffible , the falling inflexion is placed on forms , the fame inflexion on struggling , and the rifing inflexion on brave ; and this , in the ...
... inflexion on the word fate , in order to make the other words as various and harmonious as poffible , the falling inflexion is placed on forms , the fame inflexion on struggling , and the rifing inflexion on brave ; and this , in the ...
Tartalomjegyzék
ACCENT Page | 1 |
English Scotch and Irish Accent | 14 |
Theory of Emphatic Inflexion | 42 |
Copyright | |
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able accent action adopt almoſt appear arms arrangement beautiful begin body bring called common confider death emphaſis emphatic emphatic words equal example expreffed eyes falling inflexion fame feel feems fenfe fentence fhall fight firſt fome fometimes force former foul fubject fuch fyllable give greater hand harmony head heard heart importance kind laft laſt latter live look loud lower manner mark means mind moft monotone moſt muſt nature neceffarily neceffary obferved object paffage paffion paufe pauſe perfon pitch pity poetry profe pronounced pronunciation raiſed reader reading reaſon require rifing inflexion rule ſenſe ſhall ſhould ſpeak ſpeaker thee thefe theſe thing thofe thoſe thou thought tion tone tone of voice uſe variety verfe verſe voice whole