Elements of Elocution, 1781, 2. részScolar P., 1969 |
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159. oldal
... the inflexions , let us read the last sentence with the last member cur- tailed in this manner . Exercise and temperance ftrengthen the conftitution and fweeten life . Here Here we find almost all the harmony va- nished , ELO CUTI Q N. 159.
... the inflexions , let us read the last sentence with the last member cur- tailed in this manner . Exercise and temperance ftrengthen the conftitution and fweeten life . Here Here we find almost all the harmony va- nished , ELO CUTI Q N. 159.
174. oldal
... exercise of the fa- culties , that they not only lead us to false objects of beauty and propriety , but at last deprive us of the very power of per- ceiving the mistake . For those , therefore , whose ears are not juft , and who are to ...
... exercise of the fa- culties , that they not only lead us to false objects of beauty and propriety , but at last deprive us of the very power of per- ceiving the mistake . For those , therefore , whose ears are not juft , and who are to ...
227. oldal
... the voice , care should be taken , that we exercise it on that part where it has naturally the greatest power and variety : this is the middle tone ; the Q 2 tone tone we habitually make use of when we converfe with E LOCUTION . 227.
... the voice , care should be taken , that we exercise it on that part where it has naturally the greatest power and variety : this is the middle tone ; the Q 2 tone tone we habitually make use of when we converfe with E LOCUTION . 227.
Tartalomjegyzék
ACCENT Page | 1 |
English Scotch and Irish Accent | 14 |
Theory of Emphatic Inflexion | 42 |
Copyright | |
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able accent action adopt almoſt appear arms arrangement beautiful begin body bring called common confider death emphaſis emphatic emphatic words equal example expreffed eyes falling inflexion fame feel feems fenfe fentence fhall fight firſt fome fometimes force former foul fubject fuch fyllable give greater hand harmony head heard heart importance kind laft laſt latter live look loud lower manner mark means mind moft monotone moſt muſt nature neceffarily neceffary obferved object paffage paffion paufe pauſe perfon pitch pity poetry profe pronounced pronunciation raiſed reader reading reaſon require rifing inflexion rule ſenſe ſhall ſhould ſpeak ſpeaker thee thefe theſe thing thofe thoſe thou thought tion tone tone of voice uſe variety verfe verſe voice whole