Elements of Elocution, 1781, 2. részScolar P., 1969 |
Részletek a könyvből
1 - 3 találat összesen 12 találatból.
146. oldal
... equal and metrical arrangement of accent in the lat- ter . As a farther corroboration of the truth of this opinion , let us take a sentence re- markable for its harmony , and try whe- ther it arifes from the foregoing principles . We ...
... equal and metrical arrangement of accent in the lat- ter . As a farther corroboration of the truth of this opinion , let us take a sentence re- markable for its harmony , and try whe- ther it arifes from the foregoing principles . We ...
150. oldal
... equal , the laft members of fentences , ought rather to end in the dactylic than in the iambic measure . In this appellation of the mea- fure of profe , I adopt the terms generally made ufe of , and particularly by Mason , in his Effay ...
... equal , the laft members of fentences , ought rather to end in the dactylic than in the iambic measure . In this appellation of the mea- fure of profe , I adopt the terms generally made ufe of , and particularly by Mason , in his Effay ...
211. oldal
... equal in every line . But if a pause comes into the definition of verse , because it ferves to fhew the equal number of im- preffions in every line , a pause that is in- fufficient for this purpose is not , strictly fpeaking , a ...
... equal in every line . But if a pause comes into the definition of verse , because it ferves to fhew the equal number of im- preffions in every line , a pause that is in- fufficient for this purpose is not , strictly fpeaking , a ...
Tartalomjegyzék
ACCENT Page | 1 |
English Scotch and Irish Accent | 14 |
Theory of Emphatic Inflexion | 42 |
Copyright | |
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able accent action adopt almoſt appear arms arrangement beautiful begin body bring called common confider death emphaſis emphatic emphatic words equal example expreffed eyes falling inflexion fame feel feems fenfe fentence fhall fight firſt fome fometimes force former foul fubject fuch fyllable give greater hand harmony head heard heart importance kind laft laſt latter live look loud lower manner mark means mind moft monotone moſt muſt nature neceffarily neceffary obferved object paffage paffion paufe pauſe perfon pitch pity poetry profe pronounced pronunciation raiſed reader reading reaſon require rifing inflexion rule ſenſe ſhall ſhould ſpeak ſpeaker thee thefe theſe thing thofe thoſe thou thought tion tone tone of voice uſe variety verfe verſe voice whole