Elements of Elocution, 1781, 2. részScolar P., 1969 |
Részletek a könyvből
1 - 3 találat összesen 26 találatból.
289. oldal
... body is brought to correfpond to it by fuitable gesture . This order ought never to be reversed , but when the mind is too cold and languid to imbibe the paffion first , and in this cafe an adaptation of the body to an expreffion of the ...
... body is brought to correfpond to it by fuitable gesture . This order ought never to be reversed , but when the mind is too cold and languid to imbibe the paffion first , and in this cafe an adaptation of the body to an expreffion of the ...
358. oldal
... body alters its aspect as having discovered fomething ; then falls into contemplation as before , the motions of the body are reftlefs and unequal , fometimes moving quick , and fometimes flow ; the pauses in speaking are long , the ...
... body alters its aspect as having discovered fomething ; then falls into contemplation as before , the motions of the body are reftlefs and unequal , fometimes moving quick , and fometimes flow ; the pauses in speaking are long , the ...
403. oldal
... body is inclined a little forward , and the hand , with the palm downward , just raised as to meet the inclination of the body , and then let fall again with apparent timidity and diffidence ; the eye is fometimes lifted up , and then ...
... body is inclined a little forward , and the hand , with the palm downward , just raised as to meet the inclination of the body , and then let fall again with apparent timidity and diffidence ; the eye is fometimes lifted up , and then ...
Tartalomjegyzék
ACCENT Page | 1 |
English Scotch and Irish Accent | 14 |
Theory of Emphatic Inflexion | 42 |
Copyright | |
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able accent action adopt almoſt appear arms arrangement beautiful begin body bring called common confider death emphaſis emphatic emphatic words equal example expreffed eyes falling inflexion fame feel feems fenfe fentence fhall fight firſt fome fometimes force former foul fubject fuch fyllable give greater hand harmony head heard heart importance kind laft laſt latter live look loud lower manner mark means mind moft monotone moſt muſt nature neceffarily neceffary obferved object paffage paffion paufe pauſe perfon pitch pity poetry profe pronounced pronunciation raiſed reader reading reaſon require rifing inflexion rule ſenſe ſhall ſhould ſpeak ſpeaker thee thefe theſe thing thofe thoſe thou thought tion tone tone of voice uſe variety verfe verſe voice whole