Elements of Elocution, 1781, 2. részScolar P., 1969 |
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1 - 3 találat összesen 11 találatból.
190. oldal
... begin a poem in a fimple and almoft profaic ftyle , and fo ceed till we are warmed with the subject , and feel the emotion we wish to express . Thus in Gray's Elegy in a Country Church- yard , if we cannot immediately ftrike into the ...
... begin a poem in a fimple and almoft profaic ftyle , and fo ceed till we are warmed with the subject , and feel the emotion we wish to express . Thus in Gray's Elegy in a Country Church- yard , if we cannot immediately ftrike into the ...
235. oldal
... begin in a key much too high for the generality of his auditory , or for his own powers to continue it . The fafeft rule , therefore , is certainly to begin , as it were , with those of the affembly that are nearest to us ; and if the ...
... begin in a key much too high for the generality of his auditory , or for his own powers to continue it . The fafeft rule , therefore , is certainly to begin , as it were , with those of the affembly that are nearest to us ; and if the ...
279. oldal
... begin- ning , at length becomes paffive , by the found of his own voice on himself . Hence it is , that though we frequently begin to read or fpeak , without feeling any of the T I 4 paf- fion we wish to exprefs , we often end in ELO ...
... begin- ning , at length becomes paffive , by the found of his own voice on himself . Hence it is , that though we frequently begin to read or fpeak , without feeling any of the T I 4 paf- fion we wish to exprefs , we often end in ELO ...
Tartalomjegyzék
ACCENT Page | 1 |
English Scotch and Irish Accent | 14 |
Theory of Emphatic Inflexion | 42 |
Copyright | |
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able accent action adopt almoſt appear arms arrangement beautiful begin body bring called common confider death emphaſis emphatic emphatic words equal example expreffed eyes falling inflexion fame feel feems fenfe fentence fhall fight firſt fome fometimes force former foul fubject fuch fyllable give greater hand harmony head heard heart importance kind laft laſt latter live look loud lower manner mark means mind moft monotone moſt muſt nature neceffarily neceffary obferved object paffage paffion paufe pauſe perfon pitch pity poetry profe pronounced pronunciation raiſed reader reading reaſon require rifing inflexion rule ſenſe ſhall ſhould ſpeak ſpeaker thee thefe theſe thing thofe thoſe thou thought tion tone tone of voice uſe variety verfe verſe voice whole