Elements of Elocution, 1781, 2. részScolar P., 1969 |
Részletek a könyvből
1 - 3 találat összesen 35 találatból.
148. oldal
... arrangement of accent in the one , and the unftudied , various , and even op- pofite arrangement in the other . Verfe , with some few exceptions , proceeds in a regular alternation of accent , from one end of the poem to the other ...
... arrangement of accent in the one , and the unftudied , various , and even op- pofite arrangement in the other . Verfe , with some few exceptions , proceeds in a regular alternation of accent , from one end of the poem to the other ...
151. oldal
... arrangement of the rifing and falling inflexions of the voice is not less the cause of harmony , both in verse and profe , than the metrical arrangement of accent and emphasis . HAR- L4 HARMONY OF PROSAIC INFLEXIONS HE melody both of ...
... arrangement of the rifing and falling inflexions of the voice is not less the cause of harmony , both in verse and profe , than the metrical arrangement of accent and emphasis . HAR- L4 HARMONY OF PROSAIC INFLEXIONS HE melody both of ...
163. oldal
John Walker. 1 Whatever , therefore , may be the order of arrangement in the commencement and middle of a sentence , it is certain , that if we mean to form an harmonious ca- dence , one of these two arrangements of inflexion ought to ...
John Walker. 1 Whatever , therefore , may be the order of arrangement in the commencement and middle of a sentence , it is certain , that if we mean to form an harmonious ca- dence , one of these two arrangements of inflexion ought to ...
Tartalomjegyzék
ACCENT Page | 1 |
English Scotch and Irish Accent | 14 |
Theory of Emphatic Inflexion | 42 |
Copyright | |
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Gyakori szavak és kifejezések
able accent action adopt almoſt appear arms arrangement beautiful begin body bring called common confider death emphaſis emphatic emphatic words equal example expreffed eyes falling inflexion fame feel feems fenfe fentence fhall fight firſt fome fometimes force former foul fubject fuch fyllable give greater hand harmony head heard heart importance kind laft laſt latter live look loud lower manner mark means mind moft monotone moſt muſt nature neceffarily neceffary obferved object paffage paffion paufe pauſe perfon pitch pity poetry profe pronounced pronunciation raiſed reader reading reaſon require rifing inflexion rule ſenſe ſhall ſhould ſpeak ſpeaker thee thefe theſe thing thofe thoſe thou thought tion tone tone of voice uſe variety verfe verſe voice whole